Tag: De-Industrialisation

  • Chapter 4. Chopwell: An Oral History of Outdoor Play Amongst Natural Dreams and De-Industrial Suburbanisation

    <- Chapter 3 – Conclusion ->

    1. 4.1 Introduction: The Village on the Hill
      1. 4.1.1 The Participants
      2. 4.1.2 ‘Never Thought We Were Hard Done By’: Play in The Streets of Old Chopwell
    2. 4.2 Destruction
      1. 4.2.1 ‘Nothing To Do’: De-Industrialisation and Suburbanisation of Play in Chopwell
      2. 4.2.2 ‘Latch Key Generation’ to ‘Car Key Generation’
      3. 4.2.3 ‘We Did a Lot of Stupid Stuff’: Changing Perceptions and Functions of Drink and Destruction in the Community
    3. 4.3 Construction
      1. 4.3.1 ‘Anybody in the village would probablys have the same memory’: The River Derwent as a Site of Risk, Play, and Repository of Memory
      2. 4.3.2 Chopwell Wood and Beyond: Shifting Dynamics of Spatial and Temporal Freedom
    4. 4.4 Conclusion: Continuities of Experience in Adaptive Environments
    5. References

    4.1 Introduction: The Village on the Hill

    Chopwell is a former pit-village of 2,500 people situated high on a hill overlooking the Derwent valley.1 Due to its proximity to urban areas like Gateshead and processes of suburbanisation that will be examined herein, the late-20th and early 21st centuries saw it take on many of the characteristics of a dormitory town, meaning I describe its character as semi-rural. Growing up in Newcastle, I knew the village better than most other villages surrounding the city because of Chopwell Wood, the largest woodland in Tyne and Wear criss-crossed with walking and biking trails, and a pop-up Christmas-tree business come winter. The wood sits to Chopwell’s east, is far larger than the village itself, and spans over and down the hill towards the River Derwent to the south. The site is ancient but was almost entirely felled for construction timber for ships and buildings in the 17th and 18th centuries and was then replanted as a plantation woodland in the late 19th and early 20th centuries.2 The timber from the forest (primarily planted as larch) was used by Chopwell Colliery during this time and the forest became open to the public after it was taken over by the Forestry Commission (FC) in 1923. A report in 1951 revealed that it was popular with locals, stating that ‘the amount of trespass is great’ (trespass being a civil offence which the FC did not prosecute against in Chopwell at this time).3

    The great majority of trees seen today in Chopwell Wood are coniferous larches planted after the second world war but, particularly following the closure of Chopwell Colliery in 1966 and an overall decline in the timber market, the second half of the 20th century saw the wood start to transition toward becoming a site for recreational and conservation purposes. Mirroring a similar process which the FC had used to open Kielder (the North East’s and England’s largest forest) as a ‘Forest Park’ in 1956, the 1960s and 1970s saw a small number of new broadleaf trees planted or allowed to grow.4 In 1990 the site was designated a Plantation on Ancient Woodland (PAW), meaning a new official policy was adopted to preserve native species and to ultimately ‘restore’ Chopwell ‘to ancient semi-natural woodland’.5 As of 2019, the wood was 68% coniferous to 32% broadleaved, but that ratio will continue to shift as the plantation trees reach maturity and are felled.6 The Forestry Commission’s post-war work ultimately led to Chopwell receiving ‘Woodland Park’ status in 1994.7 This was not an uncomplicated process however as three years prior, in 1991, the Friends of Chopwell Wood community group had been set up in response to – under a Thatcherite push for privatisation – the FC considering selling off the wood.8 This was also evidence of a growing sense of local ownership and investment in the wood alongside growing distrust of the FC, which had a notable history of clashing with grassroots conservation movements over commercial incentives, notably on Dartmoor from the 1940s through to the 1970s.9

    Indeed, during my interviews the wood emerged as a key feature and source of pride for the community. However, when my research began, I quickly realised that whilst I had visited the wood quite often, I had never walked around Chopwell’s streets. In contrast to the environment of the wood the village is of nineteenth century industrial character, having expanded massively to serve the Consett Iron Company in the 1890s and 1910s.10 The universality with which the Victorians applied this terraced industrial pattern of development and Chopwell’s hilltop position meant that – stepping off the bus – I immediately saw echoes of Byker in the village. Whilst I would soon discover the many differences between the two places, my first thought was that Chopwell felt like a glimpse into what Old Byker would have been like today, had it not been largely demolished. As time went on however, I realised that Chopwell’s broader environment meant that it offered its children experiences that Byker, Old or New, did not. Similarly, certain forms of play and environmental interaction available to children in Byker were not so accessible to Chopwell’s young people. Drawing out the similarities and differences between these two North East communities is particularly interesting therefore because of the ‘village in the city’ ethos with which the walled community of New Byker was designed. As a more traditional village with a similar industrial heritage, Chopwell therefore represents an apt comparison for exploring childhood experiences of, and relationships with, play in de-industrial environments of the 1980s, 1990s, and 2000s.11

    The little academic interest paid to Chopwell is more representative of most de-industrialised North East communities than Byker. This is understandable as where Konttinen’s photography and Erskine’s architectural ambition thrust Byker onto the world stage as a place of change and interest, Chopwell’s fate of managed decline was unremarkable. Additionally, most historical works have tended to favour higher-profile urban forms of de-industrialisation over rural examples. As Jim Tomlinosn notes, and the evidence of this chapter supports, this is partly because processes of de-industrialisation often manifested environmentally differently in rural areas, often leading to expansion through new housing developments in contrast to the popular image of urban demolition associated with the ‘de-industrialisation’ term.12

    Most historical works to mention Chopwell have done so only in passing as part of larger histories of the North East, mining, and working-class life; for example Robert Gildea’s writing on the 1984 miners strikes mentions the village briefly.13 However one chapter in Chopwell’s history has attracted greater interest from academics: the village’s early 20th century involvement with the British communist movement. Lewis Mates has written about Chopwell earning the moniker ‘Little Moscow’ in the 1920s largely due to its miners’ banner featuring Marx, Lenin, and Keir Hardie.14 Separately, Mates has also written on the 1926 general strike where the union flag at Chopwell town hall was taken down and replaced with the soviet flag, further cementing the village’s reputation as a Communist enclave.15 Appropriately for this thesis, Thomas Linehan has also uncovered the story of Chopwell’s children in 1927, 200 of which boycotted their school’s celebration of ‘Empire Day’ in favour of their own ‘Red Empire Day’ which saw ‘stirring speeches, banners, red flags and heartily rendered revolutionary songs’.16

    Figure I. Children of ‘Red Chopwell’ pose with the banner.17

    Kevin Morgan recounts the local legend that, during the 1920s, the government positioned a ship in the North Sea, guns pointed at Chopwell, under the belief that if a Bolshevik revolution were to erupt in Britain, it would originate there.18 There is no evidence this ever happened, but the existence of the myth offers a glimpse into the village’s distinctive character and its sense of exceptionalism. The allure of this radical aspect of Chopwell’s past has captured the interest of locals and academics alike and gives some explanation as to why other periods in the village’s history have been less studied. Increasingly over the 2000s and 2010s community groups were formed that aimed to celebrate and rejuvenate the village and they often pointed to Chopwell’s communist history as an eye-catching example of its exceptionalism. Indeed, as is typical of most British communities, local historians and groups have written more about Chopwell than academic historians, and some of the participants I interviewed were members of local interest groups.

    4.1.1 The Participants

    The oral testimony in this chapter will provide insight into the recollections of daily life for those who grew up in Chopwell during an overlooked period in its history. It will explore how children shaped and were shaped by their environment during a period of industrial decline and regeneration in a rural/semi-rural context. Mirroring how I approached Byker, firstly this chapter will contextualise the research undertaken with a brief history of play in ‘Old Chopwell’, ideas of which were so often called upon in the interviews I conducted. Then it will use the gathered oral testimonies to define and assess the stories of Chopwell’s children as they grew up in a rapidly changing world of new technological, economic, social, and environmental realities.

    To allow for comparison with Byker, this will be done under the same structural format using the themes of ‘destruction’ and ‘construction’. This framing draws out narratives of change during the period in terms of ‘loss’ and ‘gain’, which reflects how the participants talked about their community’s past. Within this bisected structure, the destruction and construction sections will divide their analysis of the oral testimony and historical material into five key topics, again as in the Byker chapter. On the theme of destruction, these are: suburbanisation, the negative effect of increased cars, antisocial behaviour, and fragmentation of the community. On the theme of construction two key sites of play are identified: the Derwent River and Chopwell Wood, that are used to talk about risk, temporal and spatial restrictions, and nature as central to the formation of a new Chopwell identity. I also explore how the concept of ‘inhabiting’ space, and how changes in environment, community, and parenting practices led to younger participants describing more contingent, less immersed or ‘inhabited’ experiences of Chopwell’s outdoor environments.

    I asked for volunteers who had grown up in Chopwell between 1980-2010 and conducted interviews with fourteen residents between 10 March 2023 and 20 August 2023. I talked to fewer people than in Byker because there was a smaller pool from which to source willing participants (2,500 population compared to the Byker estate’s 9,500) and to keep the scope of the thesis manageable.19 To gather testimony, I postered noticeboards in local shops, at the community centre, and in The Bank community café. Recruiting through local Facebook groups once again proved the most effective method, mostly the ‘Chopwell Regeneration Group’ (CRG) page, which connected me with a number of people interested in Chopwell’s heritage and future. The CRG comprises a group of people actively invested in the improvement of Chopwell and raises money to fund projects, most notably ‘The Bank’ community café (in the old Bank on Derwent Street). The interviews were arranged according to the needs of each participant, with three being conducted online, and the rest conducted in-person at people’s homes, cars, and around the neighbourhood in walking interviews. My place in this process was as more of an outsider than I had been in Byker. I’m local to the North East, and had visited Chopwell Wood before, but far less than I had Byker and I knew nobody in the village. As a child of the city, the semi-rural character of Chopwell was especially unfamiliar to me. The extent of children’s ranges of play, for example, felt enormous compared to the Byker testimonies and my own experiences of growing up in Newcastle.

    Participants explained to me various aspects of the village’s geography, history, and terminology. For example, ‘The River Streets’ or ‘The Streets’ is the term used for the old Victorian centre of Chopwell, as compared to the newer developments around it which were developed with a far more suburban style of street pattern. Indeed, in the beginning being so unfamiliar with the locality was a barrier at times, halting conversation to ask participants to define terms. In other ways however, my unfamiliarity meant participants were forced to consider their community and upbringing from an outside perspective; for some, this was an enjoyable exercise in introspection that brought out interesting reflections. As Sandra Marie Borger has also explained, ‘outsider’ status can lead to participants viewing the interviewer as more neutral, which can foster openness and reduce assumptions about what is ‘given’ knowledge.20 Without shared connection to the place, it was the case, as in Byker, that personality and the building of relationship between interviewer and interviewee played an important role in making participants feel comfortable enough to talk openly about their past.21

    In the semi-structured interviews I approached participants with the same set of questions I had used in Byker on themes of play, safety, community, and technology. Within these themes I asked participants about de-industrialising playscapes, games and pranks linked to particular environmental features or events, perceptions of safety and negotiation of restrictions, communal child-minding, the social role of shops, animals, nature, and weather, differences in gender activities and parenting; den making; vandalism; drugs; and technology. Interviewees were also asked to consider how growing up in Chopwell has changed since they were young and – for those participants that were parents – how they raised their children in comparison to how they were raised. Conversation often progressed onto topics outside of my pre-set list of questions, and following Valerie Janesick’s ‘creative practice’ approach to interviewing, I was happy to allow participants to talk about what seemed important to them about growing up in Chopwell, ‘creating room to discover meaning’ and allowing new ideas I had not yet considered.22

    The self-selecting sample I worked with represented residents who strongly identified with Chopwell and felt connected to its past. It necessarily does not, therefore, represent newer arrivals to the community with whom established residents often felt disconnected themselves. All the participants gave permission for their testimony to be used for research purposes, though four did so under condition of using their first name only. In total, seven women and seven men were interviewed. Because those that came forward to speak with me were those with the most interest and investment in talking about Chopwell’s history, this equal split suggests that gender was less significant in Chopwell than in Byker in the feeling of connection to, and ownership of, place. One contributing factor to this may have been the differing impacts de-industrialisation wrought on the two communities. In the 1980s Byker saw many new families move into the area to replace the old families that had been compulsorily removed. In Chopwell, the village’s population continued a slow decline as unemployment drove people to seek work elsewhere. Those families that remained to become participants in this thesis became a group of residents with some of the strongest connections to the place, inculcating a lasting sense of belonging that decades later would influence their decision to respond to my call for an interview. Of those interviewed, one was a child of the 1970s, six of the 1980s, four of the 1990s, and three of the 2000s.

    PARTICIPANTS, CHOPWELL
    NameGenderChild of’ DecadeInterview Format
    Ruth ArmstrongF1970sIn-Person
    Dianne HenryF1980sWalking
    Lloyd HardmanM1980sIn-Person
    Lynn HugginsF1980sWalking
    Paula StonebanksF1980sIn-Person
    Richard JuddM1980sOnline
    Ronnie StuartM1980sWalking
    AnnF1990sOnline
    DavidM1990sOnline
    Jude MurphyM1990sWalking
    SarahF1990sWalking
    Billy RobinsonM2000sWalking
    JohnM2000sIn-Person
    Julya ScottF2000sIn-Person

    4.1.2 ‘Never Thought We Were Hard Done By’: Play in The Streets of Old Chopwell

    To better understand the changes in Chopwell childhoods over the 1980s, 1990s, and 2000s, I conducted an interview with Ruth Armstrong, a child of the 1970s. Drawing a dividing line between ‘Old’ from ‘New’ Chopwell, however, proved to be a considerably less useful way of understanding its history than it was for Byker. Instead, Ruth’s interview served to highlight continuities: the ways in which de-industrial half-life lasted longer and stronger as a presence in children’s lives in Chopwell than it did in Byker. A key reason for this was – far from being demolished and rebuilt – in 1964 Chopwell was one of 121 towns and villages in County Durham designated as ‘category D’, meaning it was earmarked by the council to be demolished and never rebuilt.23 Several neighbouring villages within walking distance of Chopwell were also categorised, including Blackhall Mill, High Spen, and Hamsterley.

    This policy was unique to County Durham during this period and identified settlements deemed economically unviable because of the decline of the coal mining industry that had been so central to the North East’s economy since the late 18th century. However, the policy largely failed in its stated aims as only a few villages were demolished before the idea was abandoned in 1977. In Chopwell the designation was removed earlier in 1972. As Gary Pattison argues, a major factor in the failure of the policy was the resistance that planners faced from residents, finding that the social cohesion and emotional attachment to place in these working-class communities was stronger than they anticipated.24 Because the designation also meant a ban on any new investment Category D villages saw almost no change in their built environments during the 1960s and 1970s apart from demolition or dilapidation, and communities like Chopwell were brought together in defiance of the order, relying on a social support network formed by and around the coal mining industry.25

    This meant much of the testimony Ruth gave me described a childhood in the 1970s that, despite the closure of the mine, still participated in many of the ways of life typical of a mining community. Furthermore, the slow pace of environmental change in Chopwell meant that Ruth’s testimony was more continuous with the 1980s participants than Pauline’s was for Byker. Indeed the village had changed little enough by 2010 that it famously was used in a Hovis TV advert to double for ‘the 1970s’, which partly depicts a woman’s childhood playing in The Streets and green spaces.26 Key differences did begin to emerge however towards the end of the 20th century based fundamentally in a change in the community’s function as it shifted away from an early 20th century traditional working-class culture built around industry and toward a far more atomised commuting and retirement community in the neoliberal era (by 2006 over half of Chopwell residents were over 60).27 The council started to develop small pockets of new housing along Mill Road toward the end of the 1970s, primarily bungalows that catered to older demographics. This leaves Ruth’s testimony, therefore, as a source describing the last years when Chopwell’s community was almost purely comprised of traditional working-class mining-community families.

    To explore this history, I focus on what, in terms of the built environment is Chopwell’s central focus: ‘The Streets’. These are a collection of colliery housing terraces, each bearing the name of a river, and around which Chopwell’s newer housing developments are clustered. These streets – similar to those that were demolished in Byker – continue to hold a symbolic centrality within the village, serving as a reflection of more recent transformations in the community as well as a symbol of its industrial past. Their story therefore is an excellent catalyst around which to build up a history of the village at large.

    Figure II. Wansbeck Street, The Streets, 1981. School at end of street, bench, newly planted trees.28

    Figure III. Wansbeck Street, The Streets, 2025. School at end of street now demolished, bench removed, ‘to let’ and ‘for sale’ signs.29

    The importance of The Streets to Chopwellians’ conceptualisations of their community became increasingly evident as the interviews progressed. Every participant mentioned them, with two key narratives emerging. The first was rooted in a community memory of the village’s industrial ‘heyday’ before the Category D designation and the closure of the pit in 1966, popularly remembered as a time of near full male employment in the coal-mining industry and strong working-class community cohesion. This period of Chopwell’s past predated all the participants I interviewed, but the pit’s industrial legacy left lasting reminders in both landscape and memory, from the memorialised colliery wheel in the centre of town to the old coal ‘tubway’ lines cutting through Chopwell Wood, which ceased operation in 1961.30 The function of this memory to participants, as in many de-industrial communities, was to serve as a source of pride for their heritage and also an example of the level of success (chiefly economic and social) they would like Chopwell to achieve in the future.

    Figure IV. Preserved tubway wagon in Chopwell Wood.31

    The second narrative, directly linked to the ‘heyday’, emerged following the designation of Chopwell as a ‘category D’ village and closure of the pit.32 With the lynchpin of the village’s economy gone, many of the shops in and around The Streets soon became vacant, people moved away, and their houses were sold off to absentee landlords.33 Participants talked about how things ‘went downhill’ as ‘problem’ tenants were introduced, the housing stock was inadequately maintained, commuting became more prevalent to work at nearby employment centres like Consett and the Team Valley trading estate, and a prevailing sentiment emerged that Chopwell had been forsaken, symbolised by the declining condition of the The Streets.34 The sense of being ‘unwanted’ was further exacerbated when the village was reallocated to fall under Gateshead Local Authority instead of County Durham in 1974.35 For the participants I talked to, however, this feeling of mistreatment did not dishearten but rather emboldened their sense of pride in the community. For example:

    People talk it down a lot. Some people just say basically that it’s, you know, a bit shit. But I don’t think it’s that at all. We’ve got all this green space, and the history is really fascinating with the pit and, you know, Lenin Terrace and all that. I think some people just don’t really realise what we’ve got here. (Ann, F, 1990s)

    Lenin Terrace is one of several council-built streets in Chopwell named after prominent socialist and communist figures in the 1920s that helped the village earn the moniker ‘Little Moscow’ during the 20th century.36 Other street names include Marx Terrace, E.D. Morel Terrace, Owen Terrace, and Dalton Terrace.37 Aside from their radicalism, the construction of these terraces also demonstrates there was a strong faith within the local community during the 1920s in the longevity of the coal industry, and the associated secure employment and tightly knit communities that came with it.

    Figure V. The section of Chopwell built in the 1920s with its many socialist street names.38

    Like the environmental reminders of the village’s industrial heritage that linger in its de-industrial half-life, these street names help to keep Chopwell’s radical political past alive in memory, alongside more modern reminders like The Red House micropub (opened 2018).

    Figure VI. The Red House.39

    Ann’s positive take on her community’s history is typical of the interviews I conducted, in that she held pride in it but noted that others felt less so. Because of the participants for this study being self-selecting, this was a likely outcome, and indeed everybody I talked to had good things to say about Chopwell and overall enjoyed living there, despite acknowledging aspects of the village that had declined over the years, such as feelings of community cohesion and the closure of local shops.

    Due to the category D designation, Ruth’s childhood growing up in and around The Streets in the 1970s occurred within a context of there having been no new building in the village for many years. As such, there was no concept of an ‘Old’ or ‘New’ Chopwell. Only slowly over the next few decades as new housing developments were built did that idea emerge, with the newer areas being built for a wealthier demographic. For example in 2005 houses on the old river-themed terraces sold for around £45,000 (and indeed still do in 2025), whereas less than 100 metres away houses on the newly-built West Meadows estate sold for £220,000, attracting a new demographic of commuters and retirees.40 Increasingly The Streets of Old Chopwell came to be seen as more of an undesirable area in the community and as such, even amongst the participants in this study who grew up long after the closure of the mine, the idea that Chopwell – and its historic centre in particular – ‘isn’t what it was’ was very present, built on a reservoir of enduring communal memories that harkened back to the relative economic stability of the industrial era.41 Indeed, it was far more common for participants in Chopwell to invoke the community’s industrial heritage, even though they had not lived alongside the mine themselves, than in Byker. The in-place and walking interviews I conducted made it clear that in part this was environmentally stimulated because whilst Byker was ‘remade’ for a new era, Chopwell was left to fall into decline, and thus many more environmental vestiges of industry were left behind to act as cues 60 years later for topics of conversation in my interviews.

    Figure VII. Chopwell from above, 1950.42 Note the parallel lines of ‘The Streets’ and ‘J’ curve of Derwent Street (Centre-North). Chopwell Wood (East). Postwar detached and semi-detached development (South). Mining industry (North-West).

    Figure VIII. Derwent street c.1915. Freight train visible in the background.43

    Figure IX. Derwent Street 2025, rail line in background now a green space. Shop fronts (left) converted into housing. Electricity pylon moved into pavement away from the road.44

    Figure X. Derwent Street in 1977, shop fronts boarded up.45

    During Ruth’s childhood the different housing clusters around Chopwell still largely constituted of families that were their originally intended occupants:

    The Streets were for the pitmen, they were the core of it. The ‘Colliery Streets’ we called them. Nowadays they say ‘River Streets’, but not when I was a bairn… Then over there, the west side, they had the nicer houses. They were for those who were a bit better off, you know? People like the carpenter or a shopkeeper maybe. (Ruth, F, 1970s)

    This recollection points to the prosperity that full employment had brought to the village, with services to suit the waged population. The change in terminology from ‘colliery’ to ‘river’ streets hints at the processes of de-industrialisation and ruralisation that have occurred in the Chopwell community’s understanding of itself during Ruth’s lifetime. Though Ruth grew up after the closure of the colliery, not enough time had passed for its absence to fundamentally alter the demographic makeup of the community or its identity as a coal-mining village. Since The Streets had been built Chopwell’s singular function as a village catering to the needs of the mine were reflected in its physical layout, carrying a distinct class-based dimension that persisted long after it closed.46 For example, at the village’s founding the streets of Ramsay Road, Greenhead Terrace, and Clayton Terrace at the higher northern section of the village were designated for the bosses’ residences – a few houses segregated from the rest of the community by the railway and which benefitted from fresher air, a nicer view, and the prevailing wind blowing the village’s smoke and dust away from them. One hundred years later the West Meadows development in the 2000s was built a little downhill in the same area, which similarly catered to wealthier buyers except at a much bigger scale, separated from The Streets by a band of greenery that once was the rail line.47

    Figure XI. The divide between The Streets (left) and West Meadows (right).48

    In later interviews I recognised Ruth’s characterisation of The Streets as the working-class heart of the village; ‘forsaken’ but holding a symbolic role as a site that embodied Chopwell’s resilience. Although class was not generally overtly mentioned by later participants, the communal sense of loss and nostalgia for Old Chopwell that I frequently encountered more obviously called on working class aspects of the community’s history than in Byker. Partly this is attributable to Chopwell’s memorable communist history, partly to the efforts of Chopwellians themselves, and partly to the ever-present environmental cues that helped to instil and perpetuate a powerful collective memory of the village’s industrial heritage.

    Community spirit and cohesion are recurring themes in narratives of de-industrialised working-class communities, often emerging in response to economic adversity and social fragmentation.49 Ruth’s recollections of growing up in Chopwell during the 1970s – the village’s first decade of de-industrialisation – frequently centred on this idea that ‘the community looked out for each other’.

    We didn’t – nobody had any money really. But you know we never thought that we were hard done by… We didn’t go hungry, we kept a big garden. Lots of people did. We were happy playing out. (Ruth, F, 1970s)

    Ruth’s use of the collective ‘we’ acknowledges the shared nature of economic hardship in the village. Her reference to reliance on home-grown food underlines this point whilst also being an example of an aspect of Chopwell’s traditional working-class culture that faded in importance in decades after.50 Allotments had arisen as a working-class practice (in rural communities especially) as a means of subsistence and maintaining living standards amidst a context of population growth, enclosure, and declining rural industries in the 19th century. They were also often encouraged by land and business owners because they were seen to align with and encourage Victorian-rooted values of industriousness, social order, and respectability.51 The practice of cultivating large gardens and allotments was a feature of Chopwell’s de-industrial half-life and, notably, was absent from the testimonies of participants who grew up in the 1980s and 1990s as increasing economic precarity and a growing necessity for dual-income households curtailed the time and resources available to maintain substantial plots. The growing availability and accessibility of cheap processed foods also quickened this trend, with Chopwell residents drawn to the nearby town of Consett and the MetroCentre (the UK’s second largest shopping centre) which opened a 20-minute drive away in 1986.52

    The decline of allotments is also demonstrative of a change in social expectations away from the more collective Victorian idea of ‘respectability’ and toward neoliberal concepts of individual self-worth. Ruth’s Chopwell was still quite self-contained, one where people needed to rely on the village’s people and land to support them. This was reflected in her experience of growing up where ‘you never went out of Choppy, you had things to do on The Streets’. Later participants placed more emphasis on Chopwell Wood and travel to surrounding communities as important environments of their childhoods. This was because, as cars brought new mobilities and the community-tightening influence of the pit faded, its horizons broadened. Ruth’s childhood by contrast was the most self-contained of the Chopwell participants, more similar in scope to how Byker participants described growing up in the 1980s. There was no wall around Chopwell, but the villages relative physical isolation and de-industrial half-life and hardship kept social bonds strong.

    Figure XII. Chopwell colliery at its full extent in 1950, allotments foreground. Bosses Ramsay Road housing terrace top right.53

    Ruth’s testimony did not focus on hardship however, preferring instead to talk about the ways ‘we were happy playing out’. All participants of later decades had stories of playing out in places like The Streets, Chopwell Wood, and the Derwent River, but Ruth’s 1970s recollections were set apart by the level of independence she was afforded. She told me that she ‘would just leave the house… no need to ask or get permission like it would be [now]. I’d go knock round at my friend Kerry’s and if she was free she’d come out. I had a big group of friends so there was always somebody’. Whilst this level of independence increasingly came to be seen as a lack of oversight, this was considered safe and normal at the time because – as in Old Byker – the community at large could be trusted to keep passive watch over its children.54 However in a rural context where sites of play include a large and completely unsupervised woodland this explanation is not totally sufficient. Ruth’s remark that she had ‘a big group of friends’ partly explains this as it shows that the community had a lot of children in it who knew one another, and thus a critical mass available to keep watch on each other. It is also simply the case that rising threats of stranger-danger and cars that came to be at the forefront of parents’ minds in the 1980s had not yet become prevalent. Certainly, Ruth’s recollection fits within nostalgic narratives prevalent across the North East that glamorise post-war working-class life, but the decline of free outdoor play is a real trend that the historical evidence in this thesis supports and seeks to understand.

    Ruth’s testimony reveals a Chopwell in the 1970s that, despite the closure of the pit, provided a childhood still very much shaped by it economically, environmentally, and culturally. The village’s social structure allowed informal oversight of children and practices such as relying on home-grown food that stemmed from 19th century industrial traditions were still practised – although rapidly declining in a community caught between its industrial past and an uncertain post-industrial future. The slow dereliction of The Streets at this time symbolised decline in the community at large and influenced Chopwell’s future environmental changes as new developments were built apart from them. Compared to Byker, Chopwell’s slow environmental change allowed for a more gradual evolution of childhood experience between the 1970s and 1980s, yet even here the encroaching pressures of economic precarity, and shifting social norms began to erode the communal structures that had long defined village life.

    4.2 Destruction

    4.2.1 ‘Nothing To Do’: De-Industrialisation and Suburbanisation of Play in Chopwell

    The play environments available to children in Chopwell during the 1980s, 1990s, and 2000s were shaped by a complex interplay of continuity and change. Unlike Byker, where the built environment was dramatically transformed by Erskine’s redevelopment, Chopwell’s housing stock was not demolished following the closure of the colliery. This continuity allowed for a degree of intergenerational consistency in childhood experiences, particularly in relation to outdoor play. Forms of destruction and ruination affected the village in less obvious ways, as social and demographic shifts that accompanied de-industrialisation led to decline in maintenance of buildings, occupancy of shopfronts, and population. A 2006 Gateshead Council report illustrated this dynamic well, finding that ‘more facilities and activities for young people’ ranked third among residents’ priorities for improving the village, after concerns about private landlords and the general upkeep of communal areas.55 This concern reflected decline in the village’s social infrastructure, particularly as it pertained to children and young people. Indeed, processes of social atomisation observed in this thesis increasingly led to the two opposing but intertwined perceptions that certain children were at danger in Chopwell’s outdoor environments and presented a danger themselves, including to other children. The number of children in Chopwell steadily fell over these decades as declining birthrates coincided with economic stagnation that prompted families to leave and few new to move in and replace them.56 In the context of a national turn towards more timetabled, supervised activities for children this meant the semi-rural community of Chopwell struggled to provide a variety of facilities and activities for them.

    Chopwell Wood and other natural spaces did provide environments that facilitated many forms of childhood play during this period (which will be explored in part 4.3), but green spaces did not provide all the variety of activities many residents desired. Whilst green space was far more available to Chopwell kids than Byker kids, they also had fewer shops, fewer public transport options, fewer ‘things going on’, and fewer other children to play with than their Byker counterparts. Increasingly throughout the decades, this lack of variety in places and activities available to young people often resulted in a complaint common to Britain’s rural youth: that there was ‘nothing to do’. This tension between abundance and absence – of space but not stimulation – was a recurring theme in oral histories from the period. For example, John (2000s) told me that:

    It did feel I remember a bit barren. Like I didn’t appreciate a lot of things I do now and, you know, the buses weren’t great.

    [Interviewer] Did you spend more time playing outdoors or indoors do you think?

    I’m not sure to be honest. Probably it was quite seasonal, like in the summer I’d be out a lot more. But a lot of the time on a day like this I’d be home from school, and I’d go on the PlayStation. (John, M, 2000s)

    In contrast Richard (1980s) talked about ‘playing out in all kinds of weather. It was an opportunity, that’s how we saw it’, although he did also acknowledge that ‘we had to make our own fun… it’s not like the city. It’s not like there’s always something going on’. The loss of cultural and recreational places in Chopwell since the closure of the mine was swift, with the King’s Cinema closing two months after the colliery was shut down in 1966.57 The building then carried on as a bingo hall before that also closed in 1984.58 The Top Club (the village’s working men’s club) stopped operating in 1974 alongside the Methodist youth club (1976), Chopwell Hotel (1978), and many other small shops and businesses, their functions replaced only partially by the community centre which opened in 1975.59 Destruction in this context did not provide many physical ruins to play amongst as the redevelopment in Byker had. Instead, it created a lot of empty buildings and empty spaces that either became green space or ‘development opportunities’ for house builders.

    From the 1980s onwards Chopwell’s spatial and social boundaries began to transform as new housing developments emerged, blending the village with neighbouring settlements like Blackhall Mill and Hamsterley. Urban de-industrial communities like Byker exist in an enclosed environment and as such must be redeveloped inside-out to take on new environmental character. In contrast de-industrialisation brought new suburban-style development to the semi-rural community of Chopwell, expanding its physical size and changing the character of the community from the outside in. Paula remarked that ‘Chopwell was its own place back then’ (in the 1980s), feeling that in the years since it has lost its distinctiveness. Lloyd similarly recalled ‘that was when village life was village life’. In essence, the feeling of older participants was that they had been witness to a process where Chopwell moved from being a true rural community to the semi-rural one I have described in this thesis.

    The new developments were increasingly designed to attract commuters and introduced suburban-style housing with cul-de-sacs, gardens, and off-street parking; features that contrasted sharply with the interconnected grid of terraced housing in The Streets.60 This expansion altered not only the physical layout of the village but also its social fabric, contributing to a sense of fragmentation and loss of identity. Whereas Ruth had described a very close-knit community in the 1970s, Sarah (1990s) talked about ‘strangers’ and that ‘my mam and dad would sometimes tell me to avoid certain [rougher] kids’. When I asked Billy (2000s) if he felt he knew everyone in the community growing up he said ‘definitely not’. This was not due to an increase in Chopwell’s population, as despite new housing developments a significant decline in birth rates and density (number of residents per house) meant the population peaked during the 1950s before declining and staying relatively stable from 1970 onwards at around 2,500. 61 Instead, this was evidence of fragmentation in the community.

    Fragmentation came alongside a diversification of the community. Ann bought a newbuild house in Chopwell in the 2010s after growing up in the village during the 1990s and told me how she had worried about who her new neighbours would be:

    I was worried ‘cos there were lots of new people, not just Chopwell people. (Ann, F, 1990s)

    This testimony reveals the point the village had reached by 2010 where people living in Chopwell were not necessarily considered ‘Chopwell people’. The village was expanding and becoming less familiar, the depth of kin relationships was gradually diminishing, and naturally as new people arrived, others departed. There was a trend amongst the testimonies whereby the younger participants more often described an expectation in their childhood that they would move away from the community, probably for work or study, and not return. There was also an aspect of this tied to the community’s de-industrial legacy whereby traditional working-class Chopwellian families were more likely to stay put. For example, Richard said his own child had moved away for university but that ‘some of her friends have never left Chopwell to do anything. They got work in the family trade and I think they’re just happy to stay’.

    This suggests that as Chopwell entered the 1990s and 2000s experiences of childhood began to diverge more and more depending on whether you grew up in one of the older or newer areas. Children of long-standing families had stronger ties to the village and potentially better job prospects in family firms. Though far fewer in number than in Chopwell’s ‘heyday’, small businesses that remained or were founded anew provided a basis for continuity in the community and were in trades like farming, vehicle repair, scrap and recycling, and roofing.62 As such, children of families with working-class heritage were more likely to stay in the village (acknowledging that we are talking here about the remaining families after many had moved away entirely in the years following the closure of the pit). Newer families’ children, by contrast, pursued careers that took them away from the village. As Richard put it: ‘she loves the area, but she won’t return’.

    The detached style of the new build developments meant that although Chopwell’s population did not much change between 1980 and 2010 it did spread over a wider area which impacted its children who were often limited by parents (especially at younger ages) to just their own street or set of streets. This added an additional barrier into a landscape where children were facing several other restrictions on socialisation and play. The commonplace assumption participants expressed that they would move away from the village when they were older is evidence that children recognised a shortage of opportunities and ‘things to do’ for them in Chopwell. This was also the case in Byker although, unlike in Byker, this was quite contentious with older residents who did not want to see the dissolution of their community. For example, Ann (1990s) remembered thinking that ‘it was inevitable that I would move away. We talked about it all the time’. Richard (1980s) told me that he had never wanted to move away but had known plenty of others who did: ‘It’s sad but it makes sense. Even when I was a kid Chopwell had quite a bit going on actually. More than other places. There was the pub, there was still the bank, the post office, you know butchers, grocers…’. During a walking interview Lynndescribed how the shops brought the community together and gave the children something to do:

    ‘I think all the locals felt attached to it… I’ve got memories about how – well – there used to be a line of shops just here and I was in and out all the time. Mam might send us along for something or we’d save up for things: sweets and that. It was just a reason to be out.’ (Lynn, F, 1980s)

    The rise of supermarkets, retail parks, and the prevalence of cars during the 1990s hastened the decline of Chopwell’s high street and the opportunities for interaction and activity that had provided to children. All the participants recognised this but also conceded that they mostly shopped outside of the village today, some encouraged by a free bus that runs to a nearby supermarket in Consett. The testimonies gathered reveal that this increased reliance on travelling out-of-town for shopping and other activities, alongside a thinning population, were two central factors leading to reduced outdoor play over the period, even though plenty of open green space was available.

    In Old Chopwell during the post-war years children had had ‘more to do’ not only because most operated under fewer restrictions on where and what they could play, but also because the village’s social and economic structures expected children to ‘help out’ by offering labour to their parents in forms such as shopping, carrying and fetching, delivering messages, working on the allotment, and indeed earning wages.63 This industrial vestige declined throughout the 20th century, particularly post-war, but still held a significant presence in 1970s and 1980s (de)industrial communities in a way it no longer did by the 1990s and 2000s.64 De-industrialisation accelerated this change in the context of a rising culture of individualism. The testimonies of younger participants in particular reflect a change the village underwent between 1980 and 2010 which though not immediately apparent was, in some respects, far more transformational than that which Byker saw: a change in its function from a self-contained community to a commuter one. New commuter-oriented developments helped to entrench the car in the community and reduce the safety of street play too, driving young people to more at-home activities.

    4.2.2 ‘Latch Key Generation’ to ‘Car Key Generation’

    The rise of the motor car in Chopwell between 1980 and 2010, driven primarily by national factors but encouraged by local ones, significantly shifted the spatial and social dynamics of childhood.65 While the village’s core physical environment, centred around The Streets, remained largely unchanged throughout this period, the increasing presence of cars altered how children interacted with their surroundings and how parents perceived safety. Newer housing developments built to cater to cars compounded this effect by creating suburban-style environments that encouraged car use and discouraged street play.66 This transformation was not immediate but gradual, unfolding across decades and reflected in the oral testimonies of the participants. For example, Lynn recalled feeling free to walk long distances growing up in Chopwell in the 1980s:

    I think because of the wood maybe, we all walked a lot… All over we’d literally walk in a group taking up the whole road and if you needed somewhere for a date you would go for walks so you didn’t need to go out the village to do everything. (Lynn, F, 1980s)

    Lloyd similarly described a loose set of boundaries: ‘we would go as far as our legs would take us, there wasn’t that fear that there is now… you did not have these joyriders doing 80 miles an hour along Lead Road’. These recollections reflect a time when cars did not dominate the village’s geography so much that rural roads had become perceived as sites of danger by both parents and children, affording a greater range for roaming.

    Inner-village streets were also described by participants as more often being used as sites of play in the earlier period of study. Dianne remembered The Streets as a vibrant environment to grow up in:

    A lot happened on The Streets to be honest… we had little gangs depending on what street we were, so Trent Street I was on and we were the Trenters… It feels dead now in comparison. (Dianne, F, 1980s)

    Ronnie also described a culture where ‘it didn’t matter what age anybody was, we all played out in the street here. Football, cricket, water fights… I remember one time making buggies… and there would be all ages’. The reference to buggies (homemade soap-box carts) mirrors Byker testimonies of racing downhill on wheels and demonstrates how this shared topographical feature led to similar play activities. In a relatively small community these accounts suggest that village streets and roads in 1980s Chopwell functioned respectively as important social spaces and walking routes for young people, where kinship ties and local familiarity created a sense of safety and belonging. However, this dynamic began to shift as car ownership increased. Rates of car ownership in Britain rose steadily from the 1970s onward but more slowly in rural areas, beginning to reach an equivalence with urban areas by 2000.67 Because Chopwell was a working class community in the North East – both factors that indicate low ownership rates – the number of cars on Chopwell’s streets were significantly below the national level in the 1980s before climbing to meet them in the 1990s and 2000s.68 In 2001 around 50% of Chopwellians owned a car; by 2011 it was 70%.69 To own a car increasingly was seen not only as desirable but necessary in rural areas, a point underlined by a 2006 Gateshead Council report which stated that four in ten respondents had ‘no access to a car’, a phrasing that suggests that, ideally, they should.70

    The growing dominance of cars in the village introduced new risks and anxieties for parents in particular. Billy, who grew up in the 2000s, recalled a story that exemplifies this change:

    ‘My parents worked outside [the village], so I had this time after school… there was for a little bit where I got fascinated by the Hunter’s House because it was kind of spooky and I’d go out there all the time… It stopped when I was nearly hit by a car coming along the woods road.’ (Billy Robinson, M, 2000s)

    The site of ‘Hunter’s House’ – officially Carr House – was a naturally attractive proposition for exploration to Billy as it was the ruin of one of Chopwell’s oldest buildings nestled within Chopwell Wood itself. The decision to stop going there, either from Billy or his parents, demonstrates how specific events as well as broader trends shifted the dynamics of exploration and restriction toward a focus on safety from the dangers of ‘the outside’. That both Billy’s parents commuted out of Chopwell to work is also evidence of the change in function of the community since the pit closed, which reshaped Chopwell’s social rhythms as well as its economy.

    Figure XIII. The ‘Hunter’s House’ Stones. The mossy stone at the base reads ‘Digger’s Folly’. Note the mix of deciduous woodland (foreground) and plantation woodland (background).71

    Figure XIV. An offering (for the animals or perhaps something else) left at the Hunter’s House Stones.72

    Walking interviews with participants helped to highlight the changing nature of the rural landscape. For example, walking along River View Sarah (1990s) pointed out examples of flytipping as a common issue, with abandoned cars being one of the most frequent examples. Because these cars were in out-of-the-way places there was often evidence of play around these abandoned vehicles. Like the demolition sites of Byker, these spaces possessed the liminal ‘in-between’ quality that attracted both young people looking for privacy and, as Joanna Leah has observed, flytipping and other ‘risky activities’.73 Sarah remembered ‘messing about’ with abandoned cars and farm machinery growing up but admitted that ‘I wouldn’t let my [child] do it. I mean who knows what they get up to but I don’t think it’s safe’. Cars in this context both allowed people to dump things on the fringes of the village and became the dumped things themselves, reshaping the aesthetics and perceived dangerousness of Chopwell’s liminal spaces, as well as the function of the community and danger of the roads. This only further marginalised informal play spaces in favour of adult-centric infrastructure.

    In the 1980s the term ‘latchkey generation’ arose to describe a cohort of kids who often returned to an empty house after school because both of their parents were at work.74 The impacts on the children have been variously ascribed, from inculcating independence and self-reliance to loneliness and a propensity for alcohol and drug abuse.75 Socially, this shift marked a move towards children’s autonomy increasingly being shaped by external systems rather than local community networks. However, whilst the need for dual-income households only increased over the 1990s and 2000s the concept of the ‘latchkey’ child quickly faded because – in the face of mounting health and safety fears – parents increasingly were required to step in to manage their children’s time, not least because 1993 amendments to the Children and Young Persons Act made it a crime to leave a child unsupervised ‘in a manner likely to cause unnecessary suffering or injury to health’.76 The Latchkey Kid became the Car Key Kid as they increasingly were driven to and from activities. In more rural areas, with amenities spread further apart, this switch was even more pronounced. For example, David (1990s) remembered that ‘my friend Adam his family didn’t have one so we were always giving him lifts’. Dianne (1980s) recounted how differently her child used the bus compared to how she had in her youth: ‘We didn’t think anything of it, but he’ll get annoyed about it… and for him there’s no chat with the bus driver, just scans his thing’. This demonstrates how technological changes during the period had often led to quicker and more impersonal interactions by eliminating the need for conversation. Changes in attitude between Dianne and her son also capture not only how Chopwell children grew less familiar with public transport, but how the erosion of the safety net of familiar adults that had facilitated childhood independence had become less reliable.

    Jude offered a telling endorsement of Chopwell that reflected Chopwell’s turn toward car-oriented external amenities since his childhood:

    I love living here like… it’s like rural, like you’ve got the wood and stuff and you’ve got like 20 minutes away from the MetroCentre, like it doesn’t take long to get into bigger places with more facilities. (Jude, M, 1990s)

    Jude’s perspective on present-day Chopwell illustrates how the car has spatially redefined the village. The testimonies of participants have demonstrated how for many children its rise began to redefine the boundaries of childhood, reshape parental expectations, and transform the village’s social geography. National pressure and car-enabled local factors like the rise in joyriding and flytipping chipped away at many children’s independent mobility, reducing options for play and exploration and sometimes leading young people to seek thrills in more controversial or dangerous pursuits.

    4.2.3 ‘We Did a Lot of Stupid Stuff’: Changing Perceptions and Functions of Drink and Destruction in the Community

    A 2006 Gateshead Council focus group expressed concern about the visibility of youth drinking in the borough, noting that ‘too many young people [were] drinking on the streets and creating disorder,’ and calling for a ban on street drinking.77 The group also criticised the proliferation of alcohol licences among local shops, which they believed facilitated underage access to alcohol and contributed to public disorder. As Fiona Measham has argued, the liberalisation of licensing laws in the 1990s and the growing cultural influence of the nighttime economy spurred a rise in UK teenage alcohol-use as behaviours shifted away from milder forms of social drinking in places like pubs and toward ‘determined-drunkenness’ binge drinking.78 The normalisation of these new forms of drinking contributed to broader anxieties of the period around youth crime and public safety, leading Blair’s government to put £10 million into an anti-underage drinking campaign as part of the National Alcohol Strategy of 2007.79

    However as Measham and this thesis has argued, the focus on this issue was as much of a moral panic as its contemporary ‘stranger-danger’, meaning that overrepresentation in the tabloid press in particular resulted in a warped public perception of the level of threat.80 Participants throughout the period of study recounted forms of play that often blurred and sometimes crossed a boundary between innocent and antisocial, as well as legal and illegal. Furthermore, as the social geography of the village changed over time, so too did expectations about what ‘acceptable’ behaviour meant. Indeed, several participants talked both about ‘trouble’ they had caused in their youth as compared to present day fears over antisocial and criminal behaviour from children. This was the result of a twofold process. First, as Chopwell became a more commuter-focussed village it also became ‘quieter’, and expectations from residents about tolerable behaviour changed accordingly. Second, youth drinking habits and behaviours did – for some – turn toward ‘determined-drunkenness’ and a greater degree of isolation from the wider community.81 Both of these factors were heavily influenced by the processes of de-industrialisation, suburbanisation, and social atomisation discussed in this chapter.

    Particularly and expectedly when describing the later years of their childhoods, participants of every decade talked about how drinking and antisocial behaviour became entangled with their youth identities, peer relationships, and use of public spaces. In the 1980s, Dianne described drinking as a rite of passage and social activity that marked a transition into adolescence, recalling that ‘I was starting to get into music then… If a band ever came to play in [Chopwell] on a Friday or Saturday night there would be drink’. Richard remembered running ‘straight out the back door’ of the pub when the police came in one time. In the 1990s, Jude described how ‘even kids from other villages would come and we’d like club in and buy bottles of brownie [Newcastle Brown Ale]… then we’d sneak off somewhere like out to the edge of the village and drink.’ These recollections demonstrate how alcohol was woven into childhood culture in these decades and how liminal spaces at the margins of the village like back lanes and Chopwell Wood provided environments where young people could gather away from adult supervision.82 Jude’s mention of Newcastle Brown Ale also suggests a regional aspect to youth drink culture, where drink choice was formed by local identity and in doing so became a part of it. Julya reflected how drink culture intermingled with petty crime during the 2000s:

    We did a lot of stupid stuff with drink… Mostly it was just sitting out on the edge of the village but especially if certain people were together they’d just wind each other up… Especially the boys, people would steal stuff, like from the allotments and from Greenhead [Farm]. (Julya, F, 2000s)

    The progression of these accounts demonstrates changes in the acceptability of underage drinking over time. During the 1980s Dianne described drink as easily available to young people when bands came to town and Richard had drunk at the pub, suggesting that the village’s adult population had not posed a significant barrier to teenage drinking, or indeed even encouraged and normalised a culture of drunkenness. At the same time consumption was moderated because these instances of drinking (and instances of ‘high spirits’/‘antisocial behaviour’ that came alongside them) took place in venues with a degree of adult supervision and amidst the community. By comparison, Jude and Julya characterised drinking as a more taboo activity taking place at the margins that was less condoned by adults but more acceptable within youth-culture itself.

    As seen in Byker, the environment where drinking takes place can be important to the function of alcohol in a community. For example, as Dunbar et al have argued, drinking in local pubs can lead to residents feeling significantly ‘more engaged with their local community’ than drinking in other environments, contributing to social bonding.83 All the underage drinking described by participants was illegal, but younger participants more often remembered drunkenness leading to other forms of destructive behaviour, such as stealing, partly because the physical and social environments in which they drank more easily facilitated those behaviours. The decline of communal institutions also played a role. For example, David (1990s) recalled that ‘there was only the youth club [at] the community centre. I enjoyed it, you know, when I was a little kid, but I grew out of it’. As formal youth spaces were shut down, lost their appeal, and/or failed to evolve with the needs of older adolescents, informal environments became the default. Particularly for older children – who generally had greater independence and fewer activities organised for them – drinking and forms of destructive behaviour like littering, stealing, and vandalising became associated with the kinds of liminal, edgeland spaces that all the participants in this study described playing in. This echoes Emia Fitzsimons and Aase Villadsen’s findings in youth studies, which suggest that the erosion of structured youth services in rural areas during the 2000s contributed to the rise of informal peer-led activities, often involving alcohol and risk.84

    Figure XV. Remnants of a fire and litter at the edge of the Chopwell Wood.85

    Dianne drew a link between forces of individualisation and fragmentation in the village (discussed in 4.2.1) and destructive behaviours:

    I could have named everybody in Trent Street but now they’re all strangers… They got their fences up and the garden all bare… Some of the kids honestly with unsocial behaviour and nobody seems to know anybody. (Dianne, F, 1980s)

    This reflection neatly demonstrates how de-industrial processes of social atomisation became linked with concerns about children’s antisocial behaviour. The ‘strangerisation’ process (as also observed in Byker) affected this twofold. First, it enabled binge drinking and problem behaviours in public spaces because Chopwell’s environment, through processes like the closure of local shops, no longer provided the same degree of community oversight. Second, the loosening of community ties meant a shrinking of the number of people residents knew well enough to challenge or feel unthreatened by. Combined with an increase in ‘determined drunkenness’, new forms of drug-use, and associated loud or violent behaviours, a perception grew that young people were becoming less regulated and more prone to aggressive or violent behaviour. In short, the difference was between having a group of friends being loud outside your house, as opposed to a group of strangers.

    As the pit’s de-industrial half-life weakened, social institutions closed, and community links frayed, it increasingly became likely that a child neighbour could also be a stranger, leaving both parties feeling less sense of allegiance to one another. At the same time, anti-social or ‘mischievous’ (depending on how a participant framed it) behaviour has always been a facet of Chopwell life. Ronnie described how he and his friends in the 1980s would ‘always be getting into trouble’ by ‘jumping over the rooftops’, ‘pinching people’s bin lids’, and ‘playing games where we weren’t supposed to’. In the 1990s, Jude recalled ‘a game where you’d kick the bin lid off the top of the bins… and we used to shout something and then run.’ These acts were on the one hand playful and on the other hand examples of a culture of boundary-testing and public disruption that could easily be called anti-social. As in Byker, the language used by participants to describe their own actions generally romanticised the ‘trouble’ they got in to, casting it as more fun and socially acceptable than that of younger generations.

    The perceived rise in destructive behaviours from children in the community were not only a result of changing expectations. Sarah described how decline in the village’s social infrastructure and cohesion made it difficult to challenge a new family:

    This girl moved into the village I think on Wansbeck Street… she was a proper nasty piece of work… I remember going past their house and there was always just stuff, bottles and that out front and she was screaming and fighting with her mam. My mam just said ‘stay away’. (Sarah, F, 1990s)

    De-industrial forces of depopulation in the village created space for new ‘problem’ families and children to move into Chopwell, almost always in The Streets, and intensified parental fear over unsupervised outdoor play. Lloyd’s description of the village as ‘a very clannish place’ in his youth supports much of the other testimony in this thesis that indicates a community in the 1980s that still maintained strong internal connections and a territorial suspicion of outsiders. As that continued to wane and new families started to arrive during the 1990s and 2000s, this insularity only intensified the tendency of the community to protect children by restricting their independence and marginalising those who presented ‘problem’ behaviours. For example, the same 2006 Gateshead council report in which Chopwell residents expressed concerns over youth drinking, also recorded requests from residents to the council to ‘try to get rid of the unruly elements who cause trouble’, with around 1/5th of housing in Chopwell being council housing.86

    Existing residents took different approaches to those new arrivals depending on whether they moved into The Streets (often placed there by the council) or into a new housing estate. Neither group was necessarily accepted, but wealthier newcomers were not seen as a threat in the same way because they were less likely to publicly exhibit problem behaviours and lived physically further away, as evidenced by Ann’s comment about new residents not being ‘Chopwell people’.87 The family described in Sarah’s testimony, by contrast, had moved into The Streets themselves, seen to be the heart of the community. Fear of dangers presented from incomers contributed to the vicious cycle of falls in child mobility, leading to reduced social connectivity in a loop of restriction and isolation.88 What the testimonies and other sources herein also evidence is a fall in non-parental authority over children over the 30 years in question. Increasingly it was not expected that it ‘takes a village’ to raise a child as both governmental and cultural attitudes toward child-rearing encouraged individual family units to act as a single source of responsibility.89 Children therefore more often needed to be inside so parents could keep an eye on them, and it was less expected that other adults had the authority to tell other people’s children what to do. In this context alcohol and trouble making provided activities for young people growing up in an environment of informal networks, often marked by risk, rebellion, and a search for belonging.

    4.3 Construction

    4.3.1 ‘Anybody in the village would probablys have the same memory’: The River Derwent as a Site of Risk, Play, and Repository of Memory

    Despite the destructive forces at work upon Chopwell between 1980 and 2010 of economic decline, social fragmentation, and erosion of communal institutions, participants in a 2006 focus group expressed a surprising optimism about the village’s environmental transformation. They described Chopwell as ‘nicer, greener and tidier’ than in the past, citing the development of two new housing estates and a popular new school with a gym.90 This told of the village’s emerging commuter demographic, many of whom lacked direct experience of Old Chopwell and moved to the village for its dormitory-town characteristics. Yet it also reflected deeper environmental change brought about by de-industrialisation, where economic destruction came alongside, and in some respects stimulated, a visible greening of the community. One of the most significant outcomes of this greening was the revitalisation of the River Derwent which had historically always been used by children for swimming and play but became increasingly safe for such activities following the closure of nearby industries, the implementation of environmental regulations, and the subsequent reduction in pollutants.91 This was reflected in participants’ testimonies which told a story of continual play in the river across generations, helping to construct and maintain a new shared heritage in the village based around experiences of nature rather than industry.

    Lynn gave a literary framing to her memories of play in the Derwent in the 1980s:

    I make it sound like Swallows and Amazons or something don’t I? That’s how I remember it. Just climbing trees, some of the lads would jump in the river and things and a lot of people learned how to swim down there. (Lynn, F, 1980s)

    In her reference to Swallows and Amazons (a quintessential example of bucolic British unsupervised play, especially in relation to water) Lynn was clearly aware of the idealised vision of childhood she was presenting. The BBC did air a TV series based on the book in 1984, which may have helped to draw that connection in her mind.92 The river itself, a short walk down the hill from Chopwell, provided many different spots for swimming and play that were out of the way but not far from children’s homes. This position meant it was never considered ‘too far away’ by parents, even for some during the 2000s, to stop children going there in groups without adult supervision. What did change however was the age at which children were allowed to go. For example, Paula (1980s) remembered being allowed to go down to the river when she was ‘very young’: ‘I remember just going in with all our clothes on and walking home just soaking wet. You might be half dry by the time you got back’. By contrast John (2000s) was first allowed to go down to the river unsupervised ‘not until I was like secondary school age’, although he admitted he had done it already without permission. In Chopwell’s context where sites like the river Derwent and Chopwell Wood had begun to become the new ‘heart’ of village identity, it was very unlikely that parents would entirely forbid independent exploration and play in those environments. Instead, the prevailing health and safety culture manifested in John’s parents changing the parameters of his independent mobility without cutting it off entirely. The dangers of swimming were brought to the fore in the area in 2024 when two teenagers drowned in the River Tyne at the nearby village of Ovingham.93

    Figure XVI. The River Derwent at Milkwellburn, just down the hill from Chopwell.94

    Risk is inherent in play, and although roads were the killer hidden in plain sight during this period, rivers were understandably feared. It is this risk, partly, that made the Derwent attractive to a child looking for a thrill. Ronnie remembered the communal and risky nature of river play:

    We used to tie a rope round and swim out as far as we could then if you couldn’t make it the other lads would pull you back up… but one or two had close calls, I think. (Ronnie, M, 1990s)

    Ann, who also grew up in the 1990s, reflected on danger that she didn’t perceive at the time:

    I don’t know how we didn’t hit the other side when you were diving in at the high crags because it’s so narrow but when you were young you used to think it was deep as can be. (Ann, F, 1990s)

    Getting to the spot with the ‘high crags’ required a walk through Chopwell Wood in the direction of the village of Lintzford that took around an hour compared to 20 minutes to get to safer swimming spots. This meant the fun that came from the danger of the crags made it worth the extra travel to get there. Indeed, moments of risk and danger came up commonly when talking about the river because they were exciting moments that were the most memorable. In the interviews I conducted I did not receive testimony of anybody getting injured or worse in the river, but it is likely that such incidents did occur. The fact they were not commonplace, however, demonstrates how children regulated each other’s behaviour, with older or more experienced children taking on parental-type roles in situations of potential danger. It also indicates that the dynamic between perception of danger and actual danger of the Derwent was inverse to that of the roads. Roads were seen as dangerous, but their danger was not fully comprehended; meanwhile rivers were seen to be similarly dangerous (or even more so) despite causing far fewer injuries and deaths. In 2024 for example, the same year as the tragic deaths of two teenagers in the River Tyne, c.200 people were killed or seriously injured on the roads around Tyneside.95 In part, of course, the perception of danger will have meant parents and children were more careful with the river and prevented accidents.

    Both in risky and less risky sections, play in the river was generally described as a group activity as opposed to memories of Chopwell Wood which participants would sometimes describe exploring alone. For example, Sarah (1990s) described how ‘all of us went down to a place at Lockhaugh where the river there’s like a little dam and you could swim’. Ann told me about how ‘we all used to play round there in the river by the Windy Fields, just down the hill here… there was a nice hill for rolling down and you could even slide down on something, you know, straight into the water’. Many other participants mentioned these same spots and it became apparent that the communal nature of Derwent memories in Chopwell were not merely anecdotal but were rich in sensory detail and deeply autobiographical for participants. By this I mean that individuals used these shared memories to construct a narrative that situated their experiences within their community and environment. The function of the river in childhoods of this period was very important, therefore, because it helped young people to form narratives that became essential to identity formation – tied to sensory experiences of a familiar landscape.96 Julya, reflecting on the 2000s, summed it up by saying that ‘anybody in the village would probablys have the same memory of going down to the river to play’.

    To some extent the significance of natural spaces like the River Derwent and Chopwell Wood in children’s lives was institutionally recognised in 2007, when the area was selected by the Department of Health as a case study in a report on nature and wellbeing. The report concluded that the natural features of the area ‘have been shown to have the potential to contribute to the government’s physical activity agenda, as such projects can encourage physical activity, improve mental wellbeing and enable the development of social networks’.97 Children were a key focus of the project, which involved organising primary and secondary school visits to the wood for children living along the River Derwent. A shared point of feedback between the children and adults who took part was that they enjoyed the level of independence the project/the wood afforded them, with the concept of being able to ‘run free’ highlighted in particular.98 This was not ‘running free’ as older participants in this thesis had described however, as it was still a timetabled, partially supervised activity. Nevertheless, the project’s recognition of the wood’s benefits for the community mirrored the sentiments expressed by residents, who saw these spaces not only as recreational environments but as integral to the village’s identity and continuity. This consequence of de-industrialisation brought significant challenges to Chopwell but it also partly facilitated a reconstruction of childhood geographies, and, hence, fits with the cultural expectation explored in Chapter Two that children’s natural home is in nature, not in an urban environment. As distance grew between Chopwell and its industrial heritage, play in the River Derwent took on new meaning as it became a site that anchored personal and collective memories across generations. In this way it served a similar function to the pit of Old Chopwell, the destruction of which had allowed natural sites like the river to be cleaned up of some pollution and become new sources of local pride.99 In this way, environmental change did not simply alter the physical landscape, it reshaped the emotional and social terrain of growing up in Chopwell.

    4.3.2 Chopwell Wood and Beyond: Shifting Dynamics of Spatial and Temporal Freedom

    Another environmental feature that functioned as a key anchor for childhood experience and memory across the decades was Chopwell Wood. However, the ways in which participants engaged with the wood and other natural spaces beyond, and the freedoms they were granted to do so, shifted markedly over time as national and local pressures increased the onus on parents to supervise their children. Interestingly though, particularly in relation to natural sites the testimonies of Chopwellians told the story of a more contingent and complex set of boundaries placed upon children over time than participants in Byker revealed. Whilst play on The Streets of Chopwell was described as declining in a similar linear fashion to the streets of Byker, the qualities of natural environments like Chopwell wood invited greater leniency.

    Figure XVII. Chopwell Wood as viewed from the ‘Boundary Walk’ Trail.100

    Participants described forms of play in the 1980s embedded both in the natural environment around them and the de-industrial one. The best example of this was Lynn’s recollection of going ‘up the old pit which had just a few trees in… the water had pooled and it had gotten really marshy so all these frogs had moved in and we would go up and catch them… and if you weren’t quick you’d lost a shoe!’. This tactile, immersive experience of nature reclaiming a site of industry emblematises the broader greening process that was beginning to take root across former pit villages in the North East during this period.101 The proximity of the largest wood in Tyne and Wear in particular offered Chopwell children unique opportunities for interaction with nature. Paula remembered the centrality of Chopwell Wood to her generation’s childhoods:

    First week back at school the teacher asked us ‘what have you done during the holidays’ and everybody’s essay was all about ‘my time in Chopwell Wood’. (Paula, F, 1980s)

    As well as being central, this recollection also demonstrates how the wood provided spatial limitations on children’s mobility during the 1980s in Chopwell. The space offered a lot of temporal freedom – the ability to choose how and when to engage with it – but children were far less likely to have travelled to other parts of the country or overseas on their holiday as participants of later decades more frequently did.102 This meant that younger participants recalled going on holidays to popular European tourist destinations, but did not have the experience of spending a whole summer immersed in Chopwell Wood as some in the 1980s had. Interestingly, this highlights how the amount of time children spent in the wood was falling over the same period its importance for community identity was rising.103

    Often memories of natural environments would be communicated with greater reference to sensory richness than urban ones, which would more generally evoke the activities that took place there instead. For participants, simply sensorially experiencing an environment like Chopwell wood created lasting memories; memories that were reinforced over time as they experienced the same places again later in life and, in some cases, during the interviews themselves. For example, Sarah recalled a memory of rain in the woods:

    Suddenly it was raining buckets pelting it down and we dove for cover. It’s surprising how much it [the wood] protects you. (Sarah, F, 1990s)

    The adventure-book language of ‘dove for cover’ recalls children’s literature in the same way that Lynn drew parallels to Swallows and Amazons, suggesting a common nostalgic association between non-fictional recollections of childhood and fictional stories about childhood. Richard (1990s) also recalled a highly sensory experience, describing how ‘one of the best things was walking through the wood after snow’ because it allowed him to play ‘all sorts of games. But mostly we just went to run around and, like, experience it’. The novelty of sensory experiences to children who naturally spent most of their time in built environments was appreciated by all participants, but the increasing focus on it by younger interviewees suggests they found it more memorably novel, and therefore likely spent less time overall out in the woods. The tone of these 1990s accounts is also more episodic, suggesting that such experiences were less routine and more contingent on specific conditions or events. This reduced familiarity with nature was picked up on by Dianne who described younger children not recognising or registering natural beauty and variety:

    Kids these days will just walk along past all this, and it won’t even register. It’s very beautiful… we used to notice things more, I think. (Dianne, F, 1980s)

    This observation chimes with 1990s and 2000s academic prognoses (detailed in 1.4) of ‘Plant Blindness’ and ‘Nature Deficit Disorder’, used to describe the idea that children were becoming disconnected from the natural world, and therefore unable to recognise or name common species.104 In Chopwell, participants like Dianne linked this perceived decline in attentiveness to childhoods becoming more technologised, less rooted in spontaneous outdoor play, and consequently less frequently sensorially and emotionally engaged with nature. Whilst the overall body of evidence does generally point to a decline in child-nature engagements, at the same time these assumptions do not speak from personal experience and might better be used as evidence for the ways in which adult fears about childhood disconnection from nature evolved during the period of study. Indeed, the commonality with which adult society has historically utilised the idea of the vulnerable/threatened child, as a vector through which pass general societal fears would suggest such statements can also be used to understand adult worries about their own disconnection from nature and ‘lost childhood’.105

    Though mediated increasingly over time, the wood was still a constant presence for children growing up throughout the period of study and came to be central to the formation of a new Chopwell identity based on natural beauty instead of industrial economy. Beyond the wood participants described how spatial and temporal boundaries expanded and restricted over time. For example, David remembered a formative independent explorative experience beyond the village:

    The first time I went down to Blackhall Mill I was with a group of friends and there were all these kids there and it was like, who are you? It was tetchy because we thought we knew everybody and suddenly there was this whole new world. (David, M, 1990s)

    Blackhall Mill is a village very close to Chopwell by the River Derwent. It is so close in fact that suburban expansions in the 2000s and 2010s began to merge the two together, leading to a sense of identity dissolution, with comments such as Paula’s that ‘Chopwell [in the 1980s] was its own place back then’. The expanding of the spatial boundaries of David’s childhood excited but also challenged as he encountered a new set of children he had not met before. Although not far from Chopwell, David was still encountering groups beyond the village at a much younger age than Ruth in the 1970s, who described how she ‘never went out of Choppy’. As Chopwell transitioned into a commuter town during the latter half of the 20th century, it became more expected and common that children would keep friendships with children outside of the village, facilitated by the car and the centralisation of schooling and leisure activities during this period, favouring larger ‘activity centres’ like the MetroCentre over local walking-distance amenities.106 David’s ‘tetchiness’ demonstrates the period of transition in which he grew up as the close-knit traditional village community fragmented. Ann also told a story that encapsulated the evolving limits of childhood exploration:

    A common walk we did was up to this spot called ‘the big tree’ – there’s a housing estate there now – and you would get as far as the tree and my mam had said ‘you turn around and walk back’.

    …[Interviewer] Did you ever go past the tree?

    When we were older. If you were out on a date and didn’t want anybody to see. (Ann, F, 1990s)

    In this example Ann demonstrates how even in a context of increasingly restrictive parental or societal expectations, children exerted control over their own boundaries: especially as they grew older and sought more independence. As Ann’s testimony tells us, participants developed new drivers as they grew older that encouraged them to push boundaries and seek out-of-the-way places for reasons of romance and sex, drinking, partying, and other activities (like stealing) that they did not want other to see or hear. Often, green spaces could provide the distance and cover required.

    Those participants who grew up during the 2000s experienced Chopwell both at its greenest and its most restrictive. In Byker increasing restrictions had come into force alongside a cutting back of greenery that was seen as problematic, but in Chopwell – where green space had become central to the community’s new identity – children were still given a good amount of freedom to roam. Although fears about ‘the outdoors’ were common at the time and did lead parents to restrict children’s mobility, such fears held less sway in rural contexts for two main reasons. This was because, first, as noted in Chapter Two (section 4), urban environments were generally cast as the threat in media and, second, because in places like Chopwell Wood cars were evidently a much-reduced danger. For example, Billy described roaming ‘very far… especially when I got a bike [around age 9]. We’d went over to Whittonstall, up to the gliding club… as long as I had my phone on us’. This would be a round trip of a few hours, travelling much further independently at that age than the urban Byker participants described in the 2000s.

    Billy’s bicycle and phone were key enablers of mobility. The new technology of the mobile phone gave his parents peace of mind, allowing them – to some extent – to ‘keep watch’ on him in an era when that was increasingly viewed as a necessity. The bicycle was a physical enabler and, indeed, the image of ‘kids on bikes’ became a powerful image of childhood freedom from the 1980s onwards (particularly from the film E.T.) partially because it allowed children to get around in a world where distances between destinations were growing.107 This symbolic role of the bike can also be partially explained by the plummet in ‘kids on bikes’ during this period from 80% of UK 8-9 year olds biking or walking alone in 1971 to 9% in 1990.108 Billy’s testimony also stands in contrast to the Byker testimonials, where bicycles were more used for games and tricks (like going very fast downhill) than for getting around. This was likely because the urban environment made it easier to walk or take public transport.

    Billy placed great value on the freedom he had to move about the landscape in unstructured time. However, it was also clear that not every facet of the landscape felt welcoming. Particularly relevant for this thesis were the new suburban-style newbuild areas, which no participant described relishing as an environment of play. As Billy said when asked: there was ‘nothing to do’ there. Such estates had been designed to maintain a degree of separation from the older parts of the village and were successful therein not only in establishing physical (and therefore social) boundaries, but in curtailing opportunities for exploration and play. Contrast this to the allure the natural environment held in Julya’s recollection of a moment when Chopwell Wood encouraged a moment of transgression:

    It had snowed very thick snow, very beautiful. We made this plan, and we actually snuck out at night and went into the woods just to run about, but it was so beautiful… but yeah, our parents were not happy. (Julya, F, 2000s)

    This testimony strongly echoes Richard’s memory of exploring the wood after snow not to play a game but simply to experience it, although doing it in secret after dark did evidently add a new layer of excitement.

    The shifting dynamic of childhood freedoms around natural sites like Chopwell Wood that these testimonies describe was therefore a complex one. Natural places consistently provided opportunities for play and exploration, but the nature of that engagement evolved. Across the decades play in these environments moved away from a quite localised but unsupervised immersion in place toward a much broader but mediated and controlled set of experiences. However, this change was not so transformational or total as was experienced in more urban contexts such as in The Streets, newbuild developments, or in Byker. This was because the characteristics of these natural spaces – being largely car-free, rural, positioned locally as central to a new emerging community identity and positioned nationally as spaces ‘natural’ for children – allowed them to continue to invite a level of spatial and temporal autonomy.

    4.4 Conclusion: Continuities of Experience in Adaptive Environments

    ‘There was no better time to be a kid than the 80s, there wasn’t a better time. We had so much fun… but then my dad if you ask him thinks he was born at the best time.’

    (Lloyd, M, 1980s)

    Lloyd’s quote brings valuable perspective to the analysis in this chapter, highlighting how every generation has reasons to both bemoan and acclaim their particular lot in life. This generational-self-appraisal is also retrospective, and testimonials about childhood tend to soften over time. However, the value in the testimonials herein lies both in whether participants remembered their childhood fondly, and what they did: the substance and scope of the activities of play and exploration described. For Chopwell this source material has allowed this thesis to track changes in childhood environments over time, most notably factors that contributed to a fall in outdoor play during the 1980s, 1990s, and 2000s in this North East community. It highlights how concerns about decline of certain forms of childhood activity can be both valid and overstated. Looking at a specific context like Chopwell nicely elucidates this point, as this chapter has explored both forces of destruction and construction at play amongst Chopwell childhoods in the 1980, 1990s, and 2000s. Furthermore, it has shed light on how children’s experiences of play, mobility, and community sometimes transgress generations, deeply embedded in physical and sensory textures of place, and have been negotiated contingently based on differing perceptions of different specific places.

    The oral testimonies in this chapter have provided insight into the recollections of daily life for those who grew up in Chopwell during an overlooked period in its history, demonstrating how the story of this semi-rural community significantly differed from Byker under the same national changes and pressures and also how joint experiences of de-industrialisation in the North East manifested differently in two different communities. For example, the differing nature of ‘Old Chopwell’s’ de-industrial legacy, not demolished but left (for a time) to decline, led to a longer-lasting legacy in the community that was more slowly eroded with the introduction of new commuter-oriented developments.

    Under themes of ‘destruction’ and ‘construction’ the testimonies gathered here have illustrated a clear transformation in the spatial and temporal freedoms afforded to children across the decades from a more geographically bounded but temporally expansive world in the 1980s to a more expansive but timetabled and controlled world in the 2000s. These changes were heavily influenced by the slow fading of the community’s de-industrial half-life over the decades, alongside the new communities (both socially and infrastructurally) that moved in to fill the void. This shift also reflected broader societal changes in attitudes to parenting, safety culture, and the structuring of childhood. In this context natural spaces like Chopwell Wood and the River Derwent emerged as important and enduring sites of play and memory across generations, yet the way these spaces were accessed and understood also changed over time. For older participants, these landscapes were more woven into the rhythms of daily life (remembering spending all the summer holidays in Chopwell Wood for example); for younger ones, the weave was generally looser as such places were often experienced, but less ‘inhabited’. Despite these differences, the woods and river remained central to the formation of identity, offering continuity amidst the broader disruptions of de-industrialisation. The relative permanence and adaptivity of these natural environments contrasts with sites of industry, whose half-life influence was long felt but did wain over the decades. Chopwell Wood and the River Derwent instead were able to adapt or be adapted to new social, environmental, and economic realties, providing environments of play to Chopwell’s children as they had done for centuries.

    <- Chapter 3 – Conclusion ->

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    2 North East England Conservancy, History of Chopwell Forest 1923–1951 (Forestry Commission, 1951), 4.

    3 Ibid, 8.

    4 Forestry England, Chopwell Forest Plan, North England Forest District (2019), 5.

    5 Ibid, 5; exact date of PAW designation unknown.

    6 Ibid, 2.

    7 S.N., ‘Friends of Chopwell Wood,’ Co-Curate North East, last modified January 2017, http://www.friendsofchopwellwood.org.uk/.

    8 Common Ground, ‘Chopwell Wood,’ accessed 14 September 2025, https://www.commonground.org.uk/gateshead/.

    9 Matthew Kelly, The Women Who Saved the English Countryside (New Haven: Yale University Press, 2023), 314-317.

    10 A.S. Wilson, The Consett Iron Company Limited: a case study in Victorian business history, PhD Thesis (Durham University, 1973), 96.

    11 Dradge, ‘Byker: Surprising the Colleagues for 35 Years,’ 156.

    12 Jim Tomlinson, ‘De-industrialization: Strengths and Weaknesses as a Key Concept for Understanding Post-War British History,’ Urban History 47, no. 2 (2019): 202.

    13 Robert Gildea, Backbone of the Nation: Mining Communities and the Great Strike Of 1984-85 (New Haven: Yale University Press, 2023), 20.

    14 Lewis Mates, ‘The ‘Most Revolutionary’ Banner in British Trade Union History? Political Identities and the Birth, Life, Purgatory, and Rebirth of the “Red” Follonsby Miners’ Banner,’ International Labor and Working-Class History 100 (2021): 110.

    15 Lewis Mates, ‘“We Want Real Live Wires, Not Gas Pipes”: Communism in the Inter-War Durham Coalfield,’ Twentieth Century Communism 23 (2022): 51–95.

    16 Thomas Linehan, Communism in Britain, 1920–39: From the Cradle to the Grave (Manchester: Manchester University Press, 2007), 33.

    17 ‘Our History,’ Chopwell Regeneration Group, accessed 29 May 2024, https://www.chopwell.org/history.

    18 Kevin Morgan, ‘Bastions, Black Spots and Other Variations: In and beyond the Specificities of the Little Moscow,’ Twentieth Century Communism 5 (2013): 193.

    19 Office for National Statistics, ‘Chopwell and Rowlands Gill Population and Household Estimates for England and Wales: Census 2021,’ UK Government (2022), https://www.ons.gov.uk/explore-local-statistics/areas/E05009313-chopwell-and-rowlands-gill; Office for National Statistics, ‘Byker Population and Household Estimates for England and Wales: Census 2021,’ UK Government (2022), https://www.ons.gov.uk/explore-local-statistics/areas/E05011439-byker; Architectuul. ‘Byker Wall,’ Architectuul, 13 August 2012, https://architectuul.com/architecture/byker-wall.

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    Martyn Hammersley and Paul Atkinson, Ethnography: Practices in Principle (Routledge: London, 2007), 64.

    22 Valerie Janesick, ‘Oral History Interviewing with Purpose and Critical Awareness,’ in The Oxford Handbook of Qualitative Research, ed. Patricia Leavy (Oxford: Oxford University Press, 2014), 460-461.

    23 Gary Pattison, ‘Planning for Decline: The “D”-Village Policy of County Durham, UK,’ Planning Perspectives 19 (2004): 311–332.

    24 Ibid, 328.

    25 Ibid, 328.

    26 Hovis, ‘Hovis Advert (Plastic Bertrand – Ca Plane Pour Moi ) May 2010,’ YouTube video, 1:00, https://www.youtube.com/watch?v=pkBTuQ9kzFQ.

    27 Gill Davidson et al., Appraisal of the Housing, Renewal and Sustainability Needs of Rural Areas of Gateshead (Sustainable Cities Research Institute, Northumbria University, 2006), 112.

    28 Gateshead Archive, Wansbeck Street, Chopwell, GL000975, photograph, 1981, Gateshead Council, accessed 15 August 2025, https://www.gatesheadlocalstudies.com/.

    29 Louis Holland Bonnett, photograph, Chopwell, August 2025.

    30 The tubway line running through Chopwell Wood was officially called The Chopwell and Garesfield Railway (1896-1961). It was used exclusively for coal freight and ran mostly underground.

    31 Louis Holland Bonnett, photograph, Chopwell, June 2023.

    32 Pattison, ‘Planning for Decline,’ 312.

    33 Ibid, 312.

    34 Gill Davidson et al., Appraisal of the Housing, Renewal and Sustainability Needs of Rural Areas of Gateshead (Gateshead Council, 2006), 113.

    35 Pattison, ‘Planning for Decline,’ 313.

    36 Kevin Morgan, ‘Bastions, Black Spots and Other Variations: In and beyond the Specificities of the Little Moscow (Mining Village Chopwell in Durham, England),’ Twentieth Century Communism 5 (2013): 193–209.

    37 Personal observation by the author.

    38 Louis Holland Bonnett, photograph, Chopwell, August 2025; I am unsure whether Symon Terrace is named after a socialist figure or not. If so it is possibly named for Madeleine Symons.

    39 Louis Holland Bonnett, photograph, Chopwell, June 2023.

    40 Land Registry, Transaction Record for 8 Severn Street, Chopwell, NE17 7BY, accessed 1 April, 2025, http://landregistry.data.gov.uk/data/ppi/transaction/3B5CE842-4D0E-EE3A-E063-4804A8C0D6F1/current; Land Registry, Transaction Record for 5 West Meadows, Chopwell, NE17 7BG, accessed 1 April, 2025, http://landregistry.data.gov.uk/data/ppi/transaction/2571E56E-AFC3-47DB-B1F7-B780CBDC931C/current.

    41 Robyn Fivush, ‘The Development of Autobiographical Memory,’ Annual Review of Psychology 62 (2011): 560.

    42 RAF, ‘Chopwell From Above,’ photograph, 1956, Historic England Archive, https://historicengland.org.uk/images-books/archive/collections/aerial-photos/record/raf_540_1792_f22_0150.

    43 Gateshead Archive, ‘Derwent Street, Chopwell,’ photograph, 1915. Gateshead Council, accessed 5 May 2024, https://www.gatesheadlocalstudies.com/.

    44 Louis Holland Bonnett, photograph, June 2023, Chopwell.

    45 Gateshead Archive, ‘Derwent Street, Chopwell,’ photograph, 1977, Gateshead Council, accessed 15 August 2025, https://www.gatesheadlocalstudies.com/.

    46 Felling Heritage Group, ‘Chopwell Colliery,’ accessed 4 August 2024, http://www.gatesheadhistory.com/chopwell-colliery.html.

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    48 Louis Holland Bonnett, photograph, Chopwell, August 2025.

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    50 Jeremy Burchardt, The Allotment Movement in England, 1793–1873 (Woodbridge: Boydell & Brewer, 2002), 175.

    51 Ibid, 17-18.

    52 David Morton, ‘The Metrocentre at 30: Three Decades of Retail Therapy in the Heart of Tyneside,’ Chronicle Live, 4 April 2016, accessed 1 September 2025, https://www.chroniclelive.co.uk/news/history/metrocentre-30-three-decades-retail-11126906.

    53 Gateshead Archive, The Colliery, Chopwell, photograph, 1950, Gateshead Council, accessed 5 May 2024, https://www.gatesheadlocalstudies.com/.

    54 Michael Young and Peter Willmott, Family and Kinship in East London (London: Routledge & Kegan Paul, 1957), 4.

    55 Gill Davidson et al., Appraisal of The Housing, Renewal and Sustainability Needs of Rural Areas of Gateshead, Research Findings (Gateshead Council: 2006), 32.

    56 Wendy Sigle, ‘Fertility and Population Change in the United Kingdom,’ in Low Fertility, Institutions, and Their Policies, ed. Dudley Poston (Cham, Switzerland: Springer International Publishing, 2016), 78.

    57 Simon Cotterill, ‘Chopwell Colliery,’ Durham Mining Museum, accessed 24 January 2025, http://www.dmm.org.uk/colliery/c004.htm.

    58 ‘Top Club Closes,’ Newcastle Evening Chronicle, 13 September 1974, 16; ‘Youth Clubs Plea for City Centre,’ Newcastle Evening Chronicle, 24 July 1976, 7; ‘Gateshead Gossip,’ Gateshead Post, 5 April 1984, 12.

    59 ‘Our History,’ Chopwell Regeneration Group, accessed 5 March 2024, https://www.chopwell.org/history/.

    60 Local History Gateshead, ‘Chopwell,’ Gateshead Council, accessed 10 January 2022, http://www.localhistorygateshead.com/localhistory/gateshead-places/chopwell1.

    61 Office for National Statistics, ‘Population Estimates for England and Wales,’ ONS, accessed 1 September 2023, https://www.ons.gov.uk/peoplepopulationandcommunity/populationandmigration/populationestimates/bulletins/populationestimatesforenglandandwales/latest; Sigle, ‘Fertility and Population Change in the United Kingdom,’ 78.

    62 Louis Holland Bonnett, personal observation, Chopwell, 2022-2025.

    63 Selina Todd, ‘Breadwinners and Dependants: Working-Class Young People in England, 1918–1955,’ International Review of Social History 52 (2007): 81.

    64 Ibid, 76.

    65 See chapters 1 & 2 of this thesis.

    66 Lia Karsten, ‘It All Used to Be Better? Different Generations on Continuity and Change in Urban Children’s Lives,’ Children’s Geographies 3 (2005): 275.

    67 Stephen Clark, ‘Mapping car ownership in Great Britain over four decades,’ Journal of Maps 11 (2015): 355.

    68 RAC Foundation, ‘Car ownership rates per local authority in England and Wales,’ https://www.racfoundation.org/assets/rac_foundation/content/downloadables/car%20ownership%20rates%20by%20local%20authority%20-%20december%202012.pdf.

    69 Ibid; Gateshead Council, Chopwell and Rowlands Gill Ward Factsheet (Gateshead Council, 2018).

    70 Gill Davidson et al., Appraisal of the Housing, Renewal and Sustainability Needs of Rural Areas of Gateshead. Gateshead Council, 2006.

    71 Louis Holland Bonnett, photograph, Chopwell Wood, June 2023.

    72 Louis Holland Bonnett, photograph, Chopwell Wood, June 2023.

    73 Joanna Leah, ‘Edgelands Twists: Performing Liminal Fissures in Edgelands Representations,’ paper presented at AMPS: Architecture, Media, Politics – Representing Pasts, Visioning Futures, Singapore University, 1-3 December 2022.

    74 Deborah Belle, ‘Varieties of Self-Care: A Qualitative Look at Children’s Experiences in the After-School Hours,’ Merrill-Palmer Quarterly 43 (1997): 480.

    75  David Barlow and Mark Durand, Abnormal Psychology: An Integrative Approach (Cengage Learning, 2008), 414.

    76 Children and Young Persons Act 1933, as amended by the Criminal Justice Act 1993, part 1.1, accessed 19 September 2025, https://www.legislation.gov.uk/ukpga/Geo5/23-24/12/1993-08-16.

    77 Gill Davidson et al., Appraisal of the Housing, Renewal and Sustainability Needs of Rural Areas of Gateshead (Gateshead Council, 2006).

    78 Fiona Measham, ‘The Turning Tides of Intoxication: Young People’s Drinking in Britain in the 21st Century,’ Health Education 108, no. 3 (2008): 217.

    79 Ibid, 207; Mike Hough and Julian Roberts, ‘Youth Crime and Youth Justice: Public Opinion in England and Wales,’ Criminal Justice Matters 55 (2004): 185-186.

    80 Fiona Measham and Kevin Brain, ‘Binge Drinking, British Alcohol Policy and the New Culture of Intoxication,’ Crime, Media, Culture 1 (2005): 280.

    81 Measham, ‘The Turning Tides of Intoxication,’ 217.

    82 Jenny Wood and Jamie Hamilton, Teenagers and Public Space Research: Final Report (A Place in Childhood, 2023), https://www.safercommunitiesscotland.org/wp-content/uploads/Teenagers-and-Public-Space-Report_FINAL-min.pdf.

    83 Robin Dunbar et al., ‘Functional Benefits of (Modest) Alcohol Consumption,’ Adaptive Human Behaviour and Physiology 3 (2017), 129.

    84 Emia Fitzsimons and Aase Villadsen, ‘Millennium Cohort Study: Substance Use and Antisocial Behaviour among Adolescents,’ Centre for Longitudinal Studies (University College London, 2021): 2.

    85 Louis Holland Bonnett, photograph, Chopwell Wood, June 2023.

    86 Gill Davidson et al., Appraisal of the Housing, Renewal and Sustainability Needs of Rural Areas of Gateshead (Sustainable Cities Research Institute, Northumbria University, 2006), 115, 109.

    87 This thesis, page 240.

    88 Stephanie Schoeppe et al., ‘Socio-Demographic Factors and Neighbourhood Social Cohesion Influence Adults’ Willingness to Grant Children Greater Independent Mobility: A Cross-Sectional Study,’ BMC Public Health 15, no. 1 (2015), 2.

    89 Governmental approaches such as with road safety (see 1.2.1) and legal changes to parental responsibility (see 1.3)

    90 Gill Davidson et al., Appraisal of the Housing, Renewal and Sustainability Needs of Rural Areas of Gateshead. Gateshead Council, 2006.

    91 Environment Agency, River Basin Management Plan: Northumbria River Basin District (London: Environment Agency, 2015); Stephen Mosley, The British Isles Since 1945 (Oxford University Press, 2001), 207.

    92 IMDb, ‘Swallows and Amazons Forever!,’ IMDb.com, accessed 4 September 2025, https://www.imdb.com/title/tt0426765/.

    93 Pamela Tickell, ‘Second Boy Dies in River Tragedy,’ BBC News, 22 May 2024, https://www.bbc.co.uk/news/uk-england-tyne-68912345.

    94 Louis Holland Bonnett, photograph, River Derwent, July 2023.

    95 Department for Transport, Reported Road Casualties in Great Britain, Provisional Estimates: 2024, GOV.UK, published 29 May 2025 , https://www.gov.uk/government/statistics/reported-road-casualties-great-britain-provisional-results-2024.

    96 Martin Conway, ‘The Construction of Autobiographical Memories in the Self-Memory System,’ Psychological Review 107, no. 2 (2000): 600; Maurice Halbwachs, On Collective Memory, trans. Lewis Coser (Chicago: University of Chicago Press, 1992).

    97 Liz O’Brien and Hilary Snowdon, ‘Health And Well-Being in Woodlands: A Case Study of The Chopwell Wood Health Project,’ Arboricultural Journal 30 (2007): 55; North East England Conservancy, History of Chopwell Forest 1923–1951 (Forestry Commission, 1951), 18.

    98 O’Brien and Snowdon, ‘Health And Well-Being in Woodlands,’ 24.

    99 Environment Agency, Tyne Management Catchment: Baseline Length of Rivers and Estuaries Polluted by Abandoned Metal Mines, GOV.UK, published 12 March 2025, https://www.gov.uk/government/publications/abandoned-metal-mines-in-england-baseline-length-of-rivers-and-estuaries-polluted-by-harmful-metals.

    100 Louis Holland Bonnett, photograph, Chopwell Wood, August 2025.

    101 Ray Hudson, ‘Rethinking Change in Old Industrial Regions: Reflecting on the Experiences of North East England,’ European Urban and Regional Studies 12 (2005): 581; Jake Stephen Milner, ‘Decarbonising Deindustrial Places: Industrial Collective Memories in the Age of Green Economic Development,’ Local Economy 38 (2023): 3.

    102 Office for National Statistics, Holidays in the 1990s and Now, published 7 August 2017, https://www.ons.gov.uk/peoplepopulationandcommunity/leisureandtourism/articles/holidaysinthe1990sandnow/2017-08-07.

    103 As Chopwell’s population grew older over the period of study, it started to be viewed more as an adult-oriented amenity for the village. This did not mean children were excluded, only that the adult sphere assuming a greater degree of ownership over the wood elevated its importance within adult spheres.

    104 James Wandersee and Elisabeth Schussler, ‘Preventing Plant Blindness,’ The American Biology Teacher 61, (1999): 82; Ian Rotherham, Cultural Severance and The Environment (Dordrecht: Springer, 2013), V; Richard Louv, Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder (London: Atlantic, 2005), 3.

    105 Kay Tisdall, ‘Lost childhood?,’ in Revisiting Moral Panics, ed. Viviene E Cree (Bristol: Policy Press Scholarship Online, 2016), 93; Charles Krinsky, ‘Introduction,’ in Moral Panics over Contemporary Children and Youth (London: Routledge, 2008), 2-4.

    106 Colin Knox and John Sugden, Leisure in the 1990s: Rolling Back the Welfare State (Eastbourne: Leisure Studies Association, 1992), 30.

    107 Katherine Frohlich and Patricia Collins, ‘Children’s Right to the City and Their Independent Mobility: Why It Matters for Public Health,’ Journal of Epidemiology & Community Health 78 (2024): 68.

    108 This is discussed more in 1.2.1; Hillman and Adams, ‘Children’s Freedom and Safety,’ 18-19.

  • Chapter 3. Byker: An Oral History of Outdoor Play Amongst Modernist Dreams and De-Industrial Ruination

    <- Chapter 2Chapter 4 ->

    1. 3.1 Introduction: A Neighbourhood Re-Placed
      1. 3.1.1 Children in the Planning and Building of Byker
      2. 3.1.2 The Participants
      3. 3.1.3 Old Byker
    2. 3.2 Destruction: Attractions and Fears of Dangerous Environments
      1. 3.2.1 De-Industrialising Places as Play Environments: Trash and Treasure
      2. 3.2.2 Cars: Unplayable Streets?
      3. 3.2.3 Drink and Drugs: Environments of Familiarity and Fear
      4. 3.2.4 Pranks, Fights, and Crime: Children as Victims and Perpetrators of Destruction
    3. 3.3 Construction: Finding Space for Play on the Fringes
      1. 3.3.1 Climbing: Play That Requires Attentiveness to Environment
      2. 3.3.2 Dens and Weather
    4. 3.4 Conclusion: Children as Sociological Explorers
    5. References

    3.1 Introduction: A Neighbourhood Re-Placed

    During the 1980s, 1990s, and 2000s, Byker provided a specific and formative environment for the children who called it home. In contrast to Chopwell – and indeed most North East communities – Byker’s physical landscape saw rapid change in this period. The beginning of the 1980s saw the completion of the project to knock down the ‘old Byker’ of Victorian terraces and back lanes (see Fig. 1) and construct a ‘new Byker’, with its circuitous network of roads, paths, and greens (see Fig. 3). The scale of this project was notable nt only for the sheer size of the 200 acres that was redeveloped, but also for its modernist ambition.1 The new estate’s most iconic feature was the ‘Byker wall’, a winding contiguous low-rise block of flats that enclosed the inner dwellings to shield them from a planned motorway. This not only differed from the red-brick terraces of old Byker, but the romantic styling and use of varied colour and texture also stood in stark contrast to the brutalist architectural conventions of the period.2

    The scheme was the brainchild of British architect Ralph Erskine, who had a particular interest in the relationship between architecture and the natural environment, and based his Byker design on an earlier idea of his for an ‘ecological arctic town’.3 Erskine’s inward-facing design followed the advice of contemporaneous architects and planners such as Nicolas Taylor, author of The Village in the City (1973), who advocated for neighbourhoods to act like self-contained ‘villages’ within an urban environment. A fellow architect on the project stated that the purpose of ‘vehicular separation’ in the design was to ‘allow for a dense and village-like character’, with a clear intention to blend ‘private gardens, via semi-private courtyards, to the public realm’.4

    The buildings and streets were not all that changed with the advent of New Byker. The people changed too, with only 20% of the original population ultimately moving back into the new development, despite plans to retain 50%.5 A report written for the Department of the Environment critiqued this low-retention and concluded that ‘One is only left to speculate what would have happened had the policy not been to retain the community’.6 It is difficult therefore to understate the change that Byker underwent during this period, as it lost not only its buildings, but the people within them, on top of the existing loss of traditional places of work at the shipyards and the economic and social structures intertwined with them. That the transformation of the area was so total is evidenced in the use of the still-popular framing device of ‘old’ and ‘new’ Byker, connoting a rift in the continuity of the community. The area hadn’t simply changed, it had been ‘re-placed’; its identity as an environment and community had been overwritten.

    Figure I. Old Byker, Carville Road, looking toward city centre, 1969.7

    Figure II. Map of Byker in 1970.8 Note the already bulldozed streets (dot-outlined) to the north, making way for the new development.

    Figure III. New Byker, looking toward city centre, 2016.9

    Figure IV. Map of Byker in 1980.10

    Academic work on Byker has tended to focus on the architectural merit of new Byker rather than the experience of Byker’s population. Much of this literature, particularly that written between the 1970s and 1990s, considered the estate as a ‘good example’ of modern urban design, not least because the estate was developed in close consultation with its future residents. For example, in 1976 architect Alison Ravetz observed that the integration of features from the old Byker ‘gave the feeling of Portmeirion without Portmeirion’s hollow disappointment and sham, because this is for ordinary people to live in’.11 In 1987, architect Mary Comerio argued that Erskine’s ‘concern for public participation’ was the key to the scheme’s success and would allow them to ‘rehouse [residents] without breaking family ties, patterns of life and neighbourhood traditions’.12 As already noted, however, this optimistic assessment did not reflect the reality of the low retention rate of original residents. Architectural historian Elain Harwood also praised Erskine’s achievement, in 2000 noting that the establishment of a ‘tree bank’ which ‘ensured a continuity and that the landscape element was not cut from budgets in subsequent phases’.13 However, notwithstanding the valuable academic work on Byker, children were never the focus – or even a sub-category – of analysis.14 This is surprising given the apparent child-friendliness of new Byker’s pedestrianised spaces, colourful balconies, and varied green spaces. But this absence of children in the literature also reflects Erskine’s own tendency to frame his work as ‘people friendly’, without specific reference to children. You may take any work from Erskine, his team, or those writing about them and will find many references to designing for ‘people’, but scant or more likely no reference to children. His interest in Nordic-style social-democratic principles inculcated a design philosophy wherein every person was considered an equal user of a space, but this approach failed to consider how different categories of people use a space differently.

    3.1.1 Children in the Planning and Building of Byker

    An example of how children were conceived of by the architects can be read in Michael Dradge’s 2008 reflections on the project. Dradge, one of Erskine’s original architectural team, talked up the successes of Byker with particular reference to community engagement. Dradge says that at its peak in the mid-1970s the architects had an on-site office of ‘fifteen staff, plus four clerks of works’, which allowed them to keep residents informed about the ongoing works and solicit feedback.15 Dradge recounts how the architects hand-built a ‘prototype children’s play area’ outside their office and ran a children’s drawing club to help ‘break down barriers and get parents talking to the architectural team’.16 It is clear here that the architects recognised how children can act as key facilitators of community involvement, as indeed they would go on to do when New Byker was complete. It is also revealing of the way children would be expected to behave in the New Byker; as users of prescribed play equipment and activities by adults. That New Byker’s plan included playgrounds and a school was implicitly understood as ‘planning for children’, yet the myriad of resident complaints that soon arose around noise, climbing, landscaping and more, in relation to children shows how the plan did not account for what young people would actually value in the environment and how that may come into conflict with the values of adult residents.

    It is also noteworthy that Dradge speculated that it wouldn’t be possible to do make the prototype playground and drawing club ‘today’ (in 2008) because they were living in ‘more litigious times’ and a ‘less innocent age [where] all kinds of formalities and checks would, no doubt, apply’, referencing new developments such as the establishment in 2002 of the Criminal Records Bureau (CRB, precursor to the DBS) which required background checks for those working with children.17 Aside from neatly demonstrating the change in parenting culture between the 1980s and 2000s, Dradge’s speculation highlights how the sorts of handmade informal play structures they erected would come to be considered a problem by residents when children later built them on their own terms.

    Despite the emphasis these writers placed on consultation, Byker’s design was similar to Erskine’s ecological arctic town concepts of the 1950s, and also to the millennium village project he later worked on in London. This suggests his ideas about what constituted good urban design were quite decided, bringing into question the extent to which Byker residents had the power to influence the designs. Dradge makes it clear that when it came to community involvement ‘the aim was always to demystify the process’; the key purpose, therefore, being to explain and convince residents of the architects’ plans rather than devise these plans in equal collaboration with the Byker populace, which is the impression sometimes given by both the contemporary and academic literature.

    Figure V. Erskine’s Millenium village built in the 2000s.18

    Figure VI. Inside The Wall, built in the 1980s.19

    Figure VII. Plan for ‘An Ecological Arctic Town’, 1958.20

    Figure VIII. Aerial view of the western section of New Byker, 2016.21

    Indeed, despite his overall positive evaluation, issues on the estate were evident to Dradge by 2008. He noted five problems: ‘the assimilation of new residents’, ‘people wanting to park right next to their houses’, ‘need for the restoration of hard and soft landscaping’, and ‘a greater demand for privacy’.22 As Dradge conceded, Byker had not fulfilled the promises promoted by its architect-planners and fallen into disrepair. His concerns were emblematic of a new wave of academic research that began to re-evaluate Byker, challenging the optimistic accounts of the architect-planners.

    Most thorough was architect Robin Abrams’ Byker Revisited (2003) which followed up on his first visit in 1983. In the 1980s Abrams had already begun to spot problems arising on the estate, noting ‘more incidents of vandalism’ in the less desirable area of south Byker.23 Due to the landscaping being too expensive to maintain it ‘quickly became overgrown’ and, Abrams says, elderly residents feared the children and teenagers who hid in, or set fire to, the shrubbery. Furthermore, tree sap dripped onto parked cars, and people were cutting down trees and shrubs in their gardens that blocked the light. Others complained that the sound of birds kept them awake at night.24 For the residents of old Byker (and those older residents who had moved in from other areas) who were used to a far more orderly terraced environment, the natural elements of new Byker could often be an annoyance rather than a joy. The beauty of the communal network of natural landscaping, conceived of for ornament rather than function, rubbed up against the realities of working life. This was not the same as a leafy, wealthy suburb where greenery is largely kept and maintained in private gardens. Instead, some residents felt like their house was an island within a landscape of unkempt wilderness very different from the romanticised understanding of ‘the wild’ that Erskine’s design evoked.25

    With Byker Revisited in 2003 Abrams described a community in a far greater state of distress than 20 years earlier, and outlined more clearly the failures of design that had contributed to the area’s challenges. As first observed in the 1980s, one factor was that residents had ‘an inherent understanding of where the preferred housing clusters are’. The northern section or top of the hill was better, as had been the case in Old Byker. This meant the old residents chose to live at the top, near the wall, relegating newcomers to the lower areas. They also chose to shop on Shields Road rather than the new shopping area in south Byker, as this was also what had been done in old Byker. This expedited the decline of south Byker in favour of the north, and represented a rejection of new Byker’s self-contained design philosophy from its residents. Even though the environment encouraged people to stay within the ‘village’ to go shopping, many chose to cross the wall due to social and economic factors, and thus demonstrated a desire for urban connectivity that their children would have witnessed and – due to their limited independence – often been denied.

    The dilapidation of Byker’s public spaces during the 1990s and early 2000s was a manifestation of the failure of Erskine’s socialised concepts of space to match the prevailing inward turn of the neoliberal era, leaving communal areas abandoned to those who had nowhere else to go. For many children, of course, this was often a different story. With little attachment to the old landscape or the ways of living that came with it, young people instead were presented with an environment that many described to me as a place great for exploration, play, and hiding from the adult world. It was a place to build dens, hide scrap, start fires, or try other things their parents wouldn’t want them to. As adopters of Byker’s public space, many of its children were kept away from it simultaneously because adults worried it could pose them a danger and that they could pose a danger within it.

    In 1993, a field study by a team of American architecture students found that most parents expected that their children would leave Byker for ‘better areas’.26 They compared the relatively stable community of north Byker to a housing cluster in south Byker called Bolam Coyne that, they concluded, was under ‘serious social stress’.27 Bolam Coyne was in certain respects a microcosm of the new Byker development. It was an inward-facing courtyard structure troubled with vandalism, anti-social behaviour, drug-use, and crime and became somewhat infamous locally for it. In the early 2000s, the Byker housing office polled residents and found that they wanted it pulled down and replaced with a car park.28 The insularity of Bolam Coyne locked residents into a social contract with troublesome neighbours, and necessarily restricted opportunities for roaming, discovery, and connection with residents outside their complex. Seeing Bolam Coyne’s demise, Abrams called it ‘a canary in a coal mine’ for the whole project, and identified the root of ‘the problem’ to be that all the housing was ‘designed for a single economic class, and a single ethnic group, and then a surrounding wall was built’.29 Thus the very poor wanted to get in to the area, and those that achieved greater prosperity considered it a mark of success to leave.

    Twenty years on, a different perspective can be offered that challenges the gloomy prognoses of the early 21st century: Byker is neither utopian dream nor dystopic failure. Bolam Coyne was not demolished for a car park but was listed and eventually given an award-winning redevelopment.30 In 2008 the council began estate-wide refurbishment works, which later continued after 2012 when Byker at large was taken into a community trust and saw the restoration of its exteriors, interiors, and landscaping with financing available to the trust as a charitable enterprise. Byker today still has many problems. By the standards of the North East, it has comparatively high unemployment, a high crime rate, and low levels of education, but it is arguably in a more settled state and no longer attracts the same levels of regional or national attention it once did.31 To borrow a biological term, this loss of status as a ‘charismatic’ (or flagship, emblematic) estate is likely why there is far less recent academic literature on the area. As a local historian born in 1998 who was not aware of any academic ‘Byker debate’ growing up, this makes it easier to assess both the successes and failures of the estate in the round without being required to either defend the place, or to reproach it. For the participants too, it was a simpler exercise to be reflective on the area’s past without needing to first address any larger discourse that surrounded Byker in previous decades.

    The interviews I have conducted with Byker residents show that those Byker residents who grew up during the 1980s recollected much excitement and joy in the process of redevelopment. Both the condemned old buildings and construction sites of the new were excellent places for exploration and play, and when complete the new homes had more facilities and were in better condition than the old terraces, which had been condemned as early as 1953.32 The new Byker also featured more pedestrian-only and green spaces, which provided opportunities for different types of play. The disruption to daily life and the displacement of the old community that many parents mourned had little impact on the children who were at the vanguard of forming what would become a new Byker community.

    As my discussion of the secondary literature implies, there appears to have been a decline in optimism among Byker’s youth during the 1990s and 2000s, as the community continued to change environmentally, socially, and economically. The interviews herein reveal how the national trend of decreasing child mobility manifested itself in Byker, which despite featuring car-lite design also saw a fall in free outdoor childhood play. This tells us that we cannot only look at environmental factors when assessing children’s relationship with the environment; they must be placed in social and cultural context. The national concerns established earlier in this thesis, such as ‘stranger danger’, new technologies, and the threat from cars combined with and catalysed area-specific factors surrounding poverty, drugs, environmental management policies, and local features of Byker’s urban fabric. Child mobility is known to be linked to community cohesion, and the fall in child mobility during this period reduced social connectivity in a vicious cycle of restriction and isolation.33

    While Byker’s physical form was fully reimagined for a post-industrial era, its economic, social, and cultural structures were not, and they carried the vestiges of the North East’s de-industrial half-life into a new era. There was thus a significant mismatch between the broader rapidly changing economy and society of the 1980s and 1990s that could be described as ‘post-industrial’, and that of Byker and the North East at large, that could be described as ‘de-industrial’, resulting in rising unemployment, poverty, crime, and parental fear.

    In this chapter I explore the different needs and values Byker’s young people sought in their environment during a 30-year period of upheaval in the shape of North East childhoods. At times, these needs and values resulted in unforeseen and unintended environmental uses and consequences, as well as undesirable conflicts of desires between generations. Part 3.1.2 of this chapter will explain the interview process and the participants I spoke with. Part 3.1.3 will then contextualise the research undertaken by exploring the ‘Old Byker’ against which ‘New Byker’ was popularly framed. Parts 3.2 and 3.3 comprise the majority of the work, using 20 oral testimonies to explore and engage the stories of Byker’s children as they grew up amidst a rapidly changing world of new technological, economic, social, and environmental realities. Part 3.2 will focus on the theme of ‘destruction’, and 3.3 on the theme of ‘construction’ to draw out narratives of how change was negotiated – physically and intellectually – during the period. Within this bisected structure, parts 3.2 and 3.3 will divide their analysis by topics that illustrate key forms of interaction between environment and child. Under the theme of destruction, I consider de-industrialisation, cars, drink and drugs, and pranks, fights, and crime. Under the theme of construction I address climbing, dens, and weather. Through talking to ex-child residents I seek to draw a close, intimate, and complex picture of how children negotiated destruction and construction: attempting – and sometimes failing – to make the landscape their own; often against the odds. Hence, I will be reevaluating Byker’s iconic streetscape from a new angle, one long disregarded in the planning literature.

    3.1.2 The Participants

    I asked for volunteers who had grown up in Byker between 1980-2010 and conducted interviews with 20 Byker residents between 10 May 2022 and 19 December 2022. Participants were gathered through a variety of methods. First, I postered noticeboards at the community centre and in the windows of local shops as well as soliciting volunteers in various businesses and shops. These approaches proved to be ineffective however, and I only recruited one person by them. More effective (and less physically tiring) was recruiting through local Facebook groups – mostly the ‘Bygone Byker’ group, which is used as a hub for communal remembrance, commemoration, and investigation of Byker’s past. I recruited half a dozen participants this way and from this starting point recruited the rest by snowballing. The interviews were arranged according to the needs of each participant, with five being conducted online, and the rest conducted in-person at people’s homes, cars, in local cafes, and around the neighbourhood in walking interviews.

    The final participant in this process was me. I was born in North-East England in 1998 and grew up a 10-minute walk from Byker in adjacent Heaton. I have been and still am in the neighbourhood often, usually to go shopping on Shields Road, and I have friends who live in the area. However, I was not well known in Byker at the time of this research and none of the participants knew me personally before the interviews. Therefore, although I knew the estate well from both personal and research experience going into the interviews, I was rightly considered an outsider by the interviewees. In my position as ‘somewhat local’, I agree with Moser’s argument that personality traits generally superseded positionality when it came to the interviews. Whether I was considered local or not by the participants was less important than the strength of the interpersonal connection between us, the tricky interplay of civility, humility, curiosity, and humour.34 As Hammersley and Atkinson suggest, effectively handling ‘field relations’ requires a mix of ‘patience, diplomacy…and occasionally boldness’.35

    Although there were many things I knew of Byker’s past academically, participants often still had to explain to me various aspects of the estate’s geography, history, and terminology. For example, where a certain street was or what the name of a childhood game meant. I would argue that my unfamiliarity with the estate can partly be explained by the insular characteristics of the Byker wall, which Erskine deliberately designed to disincentivise non-residents from entering. With no convenient crossing points, many times I entered the area by crossing Byker bridge at a well-used gap in roadside fencing. It is also true that Heaton and Byker have two different school catchment areas (a primary school opened at the centre of the new Byker estate in 1982) and that Heaton is a richer neighbourhood, being quite literally ‘on the other side of the tracks’.

    The interviews were semi-structured, and I asked each participant a range of questions on themes of play, safety, community, and technology. Within these themes I asked participants about de-industrialising playscapes, games and pranks linked to particular environmental features or events, perceptions of safety and negotiation of restrictions, communal child-minding, the social role of shops, animals, nature, and weather, differences in gender activities and parenting; den making; vandalism; drugs; and technology. Interviewees were also asked to consider how growing up in Byker has changed since they were young and – for those participants that were parents – how they raised their children in comparison to how they were raised. Conversation often progressed onto topics outside of my pre-set list of questions, and I was happy to allow participants to talk about what seemed important to them about growing up in Byker, making space for ideas I had not yet considered. The main objective of this focused, local case study was to deepen understanding of how the children of Byker perceived, experienced, shaped and were shaped by their environment over the three decades of study.

    The twenty individuals interviewed represent men and women who were children in Byker across the period of study, though with a skew towards women and the 1980s. This self-selecting sample also represents long-term residents who identify strongly with Byker, and therefore does not represent those who feel unincorporated into the area’s social fabric. All the participants gave permission for their testimony to be used for research purposes, though three did so under condition of anonymity and five under use of their first name only. In total, fourteen women and six men were interviewed. The greater willingness of women in Byker to be interviewed is interesting because this was not the case in Chopwell, where an almost equal split was achieved. The character and self-selecting nature of the testimonies gathered suggests that this was due to a difference in feeling of connection to, and ownership of, place. Because those that came forward to speak with me were those with the most interest and investment in talking about Byker’s history, this suggests that in the round Byker’s women felt a greater sense of connection to their environment than men. The estate’s troubled history throughout the period of study was brought up by all participants, in which unemployment and disillusionment among men in particular grew with the loss of traditional industry. In contrast, whilst enduring the same hardships as the menfolk, many of the women I interviewed grew up in a period in which it was felt that their economic and social horizons were broadening. Even though girls throughout the period of study were given less opportunity to play out and engage with their local environment than boys, they still did so, and built a lasting sense of belonging that decades later would influence their decision to respond to my call for an interview.

    This chapter will compare the decades these people grew up in whilst acknowledging that neither their childhoods nor the studied environments were constrained by arbitrary annual boundaries. Nevertheless, participants tended to identify themselves as being ‘a child of’ a particular decade, by which they referred to the decade in which they began to find independence and discover tastes and hobbies outside of their parent’s sphere of influence (around age 8). Those interviewed also fell into the broader categories of ‘generation x’ and ‘millennial’, but when talking about childhood specifically a decade-bound framing is more common in the British popular imagination and was naturally used by the participants. This proved to be a deeply practical way of organising the gathered material. In the table below, therefore, is listed the participants’ ‘Child of’ decade. Of those interviewed, one was a child of the 1970s, eight of the 1980s, six of the 1990s, and five of the 2000s. Also listed is the format of each interview.

    PARTICIPANTS, BYKER
    NameGenderChild of’ DecadeInterview Format
    Pauline AlnwickF1970sOnline
    Alan RobsonM1980sWalking
    Anonymous Byker 1 ‘Sarah’F1980sIn-Person
    AmandaF1980sWalking
    Denise NicholsF1980sOnline
    Shelley Landale DownF1980sOnline
    Susan WhittakerF1980sWalking
    Michael ScottM1980sOnline
    ValF1980sIn-Person
    Bill RichardsonM1990sWalking
    DanM1990sOnline
    David GreenM1990sIn-Person
    Lisa RichardsonF1990sWalking
    Lynne SteeleF1990sWalking
    Yvonne LeaneyF1990sWalking
    Andy MillerM2000sWalking
    Anonymous Byker 2 ‘Jamie’F2000sIn-Person
    Anonymous Byker 3 ‘Rebecca’F2000sIn-Person
    KateF2000sWalking
    SophieF2000sIn-Person

    3.1.3 Old Byker

    ‘Old Byker’ was often invoked in my conversations with people for this research, even though most of the people I talked to have only ever known its successor. However, by fortunate mistake I ended up speaking with a child of the 1960s and 1970s, Pauline Alnwick, about what it was like to grow up in Old Byker. This proved to be very useful as it provided valuable context and a baseline by which to assess how childhoods changed in Byker in subsequent decades, and as a result I decided to conduct a similar interview in Chopwell. Before the bulldozers moved in, Byker was effectively considered a ‘slum’ by the council, with many dilapidated and abandoned buildings due to the decline of shipbuilding and other heavy industry. Pauline described the enormous communal bonfires they would have on bonfire night to get rid of all the scrap that was lying around:

    Everybody in Byker was filling the lanes and streets around this open fire. It was right next to Raby Street, just like in the back lanes of Raby Street. Oh my gosh, it was so huge that windows were smashing, you know, the light, the streetlights as well… The kids were mostly like, you know, excited and just kind of you know, getting involved in this sort of, I don’t know, the mania of it. (Pauline, F, 1970s)

    This is an example of the many dangers of old Byker for its young residents, who would play in and on the condemned terraces, and were drawn from across the estate to the Raby Street bonfire. In a game of chasey ‘there was no barrier to where you went, so if somebody went on top of a roof or a wall, you had to get up there too’. Notably across the decades the games of ‘chasey’ described to me (otherwise known as ‘ratcatcher’ or ‘ratty’) had increasingly small bounds. Whereas Pauline says ‘there was no barrier’ to the game in the 1970s, Lynn told me that it was ‘confined to kind of short areas’ in the 1990s.

    One thing Pauline loved as a 1970s child was the TV, telling me she was ‘a complete television fan… I didn’t really have books when I was little. The TV was it. TV and music.’ This demonstrates that the story of the decline in outdoor childhood play is not a simple one, so often blamed today on screens and new technologies. Technologies such as the TV were a huge presence in Pauline’s 1970s childhood, as computers and video games came to be for those I interviewed during the 1980s and mobile phones during the 2000s. New technologies cannot simply be cited as the cause of the decline in children’s free play when the halcyon days many recall were saturated with screens.

    The economic and commercial landscape of Byker massively changed between Old and New. In Pauline’s youth most mams worked part or full-time in the home, meaning there were many adults around to keep a passive eye on the children. Pauline remembered that ‘you always had grannies and mams looking out for the kids, no matter where you were’. As Wajcman observes, this casual network of mothers able to watch, and even discipline, each other’s children was a long-established way of life for working-class people in Britain and was facilitated by an economic model that forced women to stay at home.36 The density of the housing and the economic ability of the community to support a network of walkable local shops was also key to this, as this facilitated the necessary network of ‘eyes on the street’ to safeguard Byker’s children.37

    Because everything was in walking distance and most people did not have the means to travel much outside the area, growing up in Old Byker was an all-encompassing experience. As Pauline described it: ‘I had a very sheltered existence, really. My whole world was there’. This meant trips outside the area were rare to non-existent. Pauline didn’t ever remember being taken out on a trip somewhere apart from ‘being took to Whitley Bay once and my oldest sister would take us to Heaton Park if she was in a good mood’. The collapse of this world then, broke down barriers for Byker’s young people. At the same time, Pauline recalled how young people mourned the loss of their ‘safe space’.

    Even as kids we felt sad about all those places being taken out, you know, places that you would have been playing in. (Pauline, F, 1970s)

    The children’s concerns for the old streets must have been partly a reflection of the wider concern of their parents and the community, which was vocally against Erskine’s redesign. This was vocalised in The Byker Phoenix, a community newspaper that campaigned on behalf of residents and attempted to influence the shape of redevelopment in Byker.

    Figure IX. Page from Byker Phoenix, date unknown.38

    The construction of new Byker changed everything first and foremost because it meant people had to be moved out to other areas of the city while the place was demolished and rebuilt. Pauline recalled how this fragmented the old community:

    Once Byker was done, we were all expected to go back… but people were like so unhappy they didn’t want to go back because it wasn’t Byker anymore. (Pauline, F, 1970s)

    This context is useful to understand when considering childhoods of the 1980s, 1990s, and 2000s, because the legacy of Old Byker lingered on. For example, a 2008 report found the North East to be one of the most sociable regions of Britain.39 Pattison argues this was due to the ‘half-life of de-industrialisation’ in the region, whereby lingering environmental and social structures of the industrial era created ‘a strong and federated sense of mutuality’ that persisted.40 Nostalgic narratives across de-industrial communities in Britain today paint many aspects of post-war working-class life as superior to the modern day whilst underplaying the associated hardships and inequalities, but the fragmentation of community and sociability is one narrative that this thesis supports. Indeed, the decline of ‘community’ in Byker from a time in the 1980s when ‘everyone knew everyone’ (that so many participants in this project noted) is a clear trend that tracks alongside the national ‘loss of childhood’ that this thesis seeks to explain in the North East context.

    Pauline mourned a perceived loss of sociability in Byker, and so too did every other participant I interviewed. Desire for a return to a more communal environment can be seen to be part of the process of the half-life of de-industrialisation: a mourning for the social structures that were lost with the end of traditional industrial employment on Tyneside.41 Whilst the redeveloped Byker brought positive change in terms of improved living and working conditions for many, it did not replace many of the non-physical factors that were lost with the end of shipbuilding and manufacturing, such as jobs moving out of the area, or the increasing need for two adult incomes to support a family.

    3.2 Destruction: Attractions and Fears of Dangerous Environments

    Walking around, walking around this town…

    What’ll be left, when the old streets come down?

    Byker, you’ve born and bred some men…

    If they tear you down your time won’t come again.

    ‘Byker Song’.42

    3.2.1 De-Industrialising Places as Play Environments: Trash and Treasure

    Broadcast on Tyne Tees Television in 1974, the lamentation of two unnamed musicians in Byker Song that ‘if they tear you down your time won’t come again’ proved to be true for most residents of Old Byker that were moved away during the redevelopment and never returned. Many children, however, found much to be excited about amidst the ever-changing environment of destruction and construction during the 1980s. Indeed, the more settled and orderly Byker of the 1990s and 2000s provided fewer opportunities for outdoor play, exploration, and transgression.

    The newly built Byker of the 1980s possessed a liminal quality. New people moving into the estate had not yet formed an established community and the de-industrial process meant it was difficult to categorise as either ‘industrial’ or ‘post-industrial’.43 The concept of the ‘half-life’ acknowledges that industrial ruination is a lived process, enduring and complex, for people occupying the in-between spaces of post-industrial change. In this, Linkon’s concept agrees with Mah who wrote about Walker – an adjacent neighbourhood to Byker with similar heritage – in recognising the de-industrialised sense of being caught between two phases, negotiating a transition that lacks a clear end point.44 Strangleman also highlighted the half-life as characterised by ‘temporal open-endedness’.45 Because of the scale of its environmental change, I argue that Byker moved faster through the half-life process than other communities, but the evidence of my interviews also suggests that some structures of feeling remain today – decades after the loss of industry. This new liminal neighbourhood was not yet settled by any adult community. This provided an opening for children to move in and claim dominion. In remembering the redevelopment works, Susan described playing on the big rubble heaps that would pile up:

    [The rubble heaps] were death traps really. But as a kid, they were just brilliant, they were just like disneyland you know?… We used to slide down them, winter when they were snowy and it was icy. Brilliant. (Susan, F, 1980s)

    By acts of play such as this, Susan and her friends found value in environments that the adult world had deemed valueless, and her retrospective assessment of the rubble heaps as ‘death traps’ demonstrates the change in her value system since youth. This dissonance in values between children and adults – even between an individual’s younger and older self – refutes a simplistic narrative of destruction, turning these processes into matters of perspective. Where an adult sees wasteland, a child can see ‘disneyland’. Trash and treasure.

    Demolition sites were not the only environmental reminders/remainders of Old Byker during the 1980s; the site’s steep geography also carried through. The top end of Byker is one of the highest points in Newcastle, from which you can get magnificent views over the city. In Old Byker Victorian gridded streets led directly downhill to the shipyards and although the redesign had replaced these with a more circuitous network, they did not eliminate all steep streets such as St Peter’s Road completely. This geography facilitated forms of play – namely any form of sliding or wheeling – that would be less interesting and less dangerous in flatter neighbourhoods.

    I thought of how great it would be to skate down the bank… not knowing that I would pick up speed. And this is the first time I’d ever done it… Well, all lumps and bumps are literally flying all over and I realised, you know, straight away, I was in trouble… (Shelley, F, 1980s)

    Equipped with a new pair of roller blades (a 1980s trend in Byker as elsewhere), Shelley’s curiosity got the better of her and only by grabbing onto a lamppost and crashing to the floor did she save herself from speeding further downhill to a potentially ruinous fate. This topography is another example of play at the ‘rough edges’ of a place. Rough edges that would be sanded back with time – as rubble was cleared and barriers erected – precisely to discourage (self)destructive behaviours like those recollected by Susan and Shelley.

    It is important however in the context of de-industrialisation that environmental factors are not considered without also factoring in the estate’s economic and social strife during this period. De-industrialisation and ruination are processes and understanding the Byker landscape as a site that contained, reflected, and drove change is key to understanding how and why the nature of childhood evolved during this period too. In contrast to, for example, nearby ruins of Hadrian’s Wall preserved and maintained by heritage organisations, de-industrialising communities are not ruins; they are involved with processes of ruination that encompass much more than only environmental factors. For example, in the 1990s Byker experienced unemployment rates of 27% and was the third most deprived ward in Newcastle.46 The estate, typical of many social housing developments during that time, faced issues of anti-social behaviour and crime, resulting in a high number of empty tenancies. A Community Appraisal of Byker in 2001 highlighted it as having the highest and fastest termination of tenancies in Newcastle.47 These economic and social problems led to abandoned and derelict streetscapes which came with associated stigma and the area earning a reputation as ‘sink estate’ in the late 1990s and early 2000s. The story of the ‘Byker Rat-Boy’ – who escaped police by hiding in The Wall’s ventilation – became notorious and synonymous with the area.48 Overall, fear both for and of children drove parents’ reluctance to encourage unsupervised play in such an environment, compared to when ‘New Byker’ was genuinely new, clean, and full of modernist promise. Robin Abrams, an architect who visited the estate in 2001, said this:

    Throughout the community, upper and lower, there were burned, boarded up houses. The incidence of untended gardens far outnumbered the tidy ones. All shops in the lower shopping precinct were boarded up. Portions of the Byker Wall appeared to be abandoned – previously secured entrances were open, the lobbies covered with graffiti. The landscaping was ragged or in some cases missing altogether; litter and graffiti were rampant. The entire community, not just the lower areas, projected an image of desolation and despair.49

    2001/2 CRIME RATE STATISTICS BY WARD
    WARDCRIME RATE PER 1,000 POPULATION
    Benwell141.6
    Blakelaw108.0
    Byker211.6
    Castle48.8
    Dene58.7
    Denton86.8
    Elswick211.7
    Fawdon71.5
    Tyne and Wear (Overall)106.1
    England and Wales (Overall)110.5

    Figure X. Table showing 2001/2 Newcastle crime rates for some wards. At 211, Byker’s is considerably higher than the overall Tyne and Wear and England and Wales rates.50

    By 2010 Byker was certainly in better condition than in 2001 after seeing investment and efforts to ‘tidy up’ and increase tenancy, but many pre-1990s features of the estate never returned. Indeed, some people I interviewed described contemporary Byker in Abrams-like terms such as Lisa (F, 1990s) who said ‘everything’s, like wreck and ruin now compared to when we were kids’. Note, however, that as a child of the 1990s, Lisa still remembered the Byker of that decade as better kept than that of the 2020s. Given the descriptions of ‘desolation and despair’ that Abrams described Byker being left in just after the 1990s, this must at least partly be seen as nostalgia. However, the sense of a ‘loss of place’ expressed by Lisa and other participants I talked to was not only the product of rose-tinted spectacles. Whilst Byker was ostensibly ‘tidied up’ from the mid-2000s onward, this did not reverse the steady decline in working-class culture and community. Traditions of communalism and multi-generational employment have strong roots in North East England and this ‘structure of feeling’ was part of that legacy.51 Over time however, as Lisa observed, this legacy and connection to industrial communalism weakened. Furthermore, the tidying up of New Byker in the 2000s commonly resulted in degradation of the play environment to facilitate a more orderly environment. Damaged shelters and play structures weren’t replaced, fences, spikes, and CCTV cameras were erected, and trees and shrubs were uprooted. The excitement that many children took in the demolition of Old Byker demonstrates that their relationship to its destruction held a different character to that of their parents. Thirty years later the efforts to tidy up New Byker can also be seen, from certain perspectives, to be a form of ruination.

    One key indicator of decline identified by participants was the closure of local shops over the period. New Byker was built with dedicated spaces for small shops but, as Abrams observed, by 2001 ‘all shops in the lower shopping precinct were boarded up’. Residents preferred to shop outside the estate on Shields Road because it was seen as the classier option and the opening of large supermarkets nearby continued to draw footfall away from local businesses. The economic destruction of many small shops in favour of fewer larger ones impacted Byker’s built form and the social aspect of the shop and shopping street as places of encounter. The sense of loss attached to participants’ testimonies on shops was not necessarily about economic prosperity, but rather the positive social and environmental spaces shops created, strengthening kinship ties between friends and families.

    It’s completely changed now. When I was a kid there was plenty of nice shops, there was Beavans [a local department store] there was shops… butchers, post office… y’know, you didn’t have to go far. Everything was just there. (Val, F, 1980s)

    Figure XI. Signage for Beavans, the old department store, still preserved today.52

    The type of urban fabric that disappeared during the period of study had helped to facilitate an environment of child safety by encouraging walking over driving, leading to more people and eyes on the street to keep passive watch over the kids, as well as fewer cars on the road to endanger them. Val’s memory highlights how the accessibility of these shops also gave children more independence as they could go to browse and buy things for themselves. New Byker’s reduced population density meant it could support fewer local businesses. Furthermore, whilst Erskine’s design was pedestrian friendly in one sense – if you wanted to move within its confines – it made travelling beyond a more attractive proposition by car.

    3.2.2 Cars: Unplayable Streets?

    ‘Kids would play in the road, they wouldn’t be scared of cars. You could play out and have like an hour on Allendale Road – which is kind of a main road – for an hour on an evening time and maybe not see one or two cars.’ (Yvonne, F, 1990s)

    This memory comes from a generation of Byker children who were some of the last able to play out on the street in this way without the constant fear of traffic. As my interviews show, the 1980s was the decade that marked the end of a centuries-long norm, already declining in decades prior, that the street could be used as a site of play. Yvonne’s memory of the 1990s however, demonstrates that mostly car-free outdoor play did persist in Byker into the 1990s, a working-class area in a region where rates of car ownership were slower to rise than the national average (in 2001 Newcastle had 3 cars for every 10 people, compared to British average of 5 for every 10).53 The increase in car ownership and traffic in Britain explored in Chapter One fundamentally altered the landscape of childhood play, as the added risk and reduction in quality of the outdoor environment led children to play either elsewhere, or simply less.

    Compounding this the new dangers posed by cars caused parents to increase restrictions on children’s outdoor activities. This in turn contributed to a tearing of Byker’s social fabric, as children were less likely to gather and play together in the streets. The sense of community that was fostered through these interactions began to erode, leading to a more fragmented and isolated environment for adults as well as children. Over time, this problem was entrenched as infrastructural changes were made to accommodate the growing number of vehicles, prioritising the needs of drivers over the safety of pedestrians and cohesion of communities. Unlike the destruction of de-industrialisation, cars were a form of destruction that repelled rather than attracted young people to the outside realm.

    Byker, however, was designed to be different. Erskine’s vision for Byker was of a car-lite neighbourhood, with many pedestrian-only streets and squares. Yvonne’s recollection of car-free play persisting into the 1990s is testament to a mark of success of this design philosophy. However, further evidence demonstrates that as car numbers in the North East continued to rise Byker, too, became overrun. The Wall shielded its residents only a little from the large forces at work across Britain during this period of individualisation, fear of strangers, de-industrialisation, and expansion of road infrastructure. It is also the case that Erskine’s walled design – skirted by a high-speed road – incentivised car adoption as much as the pedestrianised interior disincentivised it. Walking around Byker today there are still many areas that are inaccessible to cars, but also several small streets and squares that have come to serve primarily as car parks. In 2002 Byker residents petitioned to have the Bolam Coyne housing cluster pulled down and replaced with a car park, although unsuccessfully.54 During a walk Susan pointed out to me a car park on Brinkburn Close that had been a playground before it was removed in the early 2000s, and when I asked subsequent participants about this some of them also remembered its existence. It is telling, however, that most people had forgotten the existence of this playground, as it demonstrates the power environment exerts on memory. ‘Out of sight, out of mind’ very much applies in the context of children’s infrastructure where those who used it soon grow out of it. To emphasise this point, a playground by Laverock Court was removed which no participants mentioned to me.55

    Figure XII. Brinkburn Close car park, previously a playground.56

    When considering why children over time had come to feel less ‘at home’ in Byker’s outdoor spaces, participants of all three decades talked about how children wouldn’t be allowed or ‘wouldn’t get away’ with the sort of roaming and play activities archetypal of the earlier period. This has been a recurring narrative across generations that is reflective of three things in the context of 1980-2010. Firstly, childhood nostalgia played a role as participants tended to focus on positive experiences over negative ones. Secondly, the desire for secrecy in many children’s activities – highlighted often within the testimonies of this thesis – naturally results in adults often not being aware of the full extent of young people’s activities, especially those most transgressive. Thirdly there was a real and significant loss of freedom for children over these decades, driven significantly by an increased parental and societal focus on safety and a changing urban fabric unfriendly to the young. Cars were (and continue to be) a major contributing factor to this. Even in a neighbourhood designed to be car-lite, cars slowly pervaded the space and, unlike other factors limiting child mobility, were readily accepted as immutable facts of life. For instance, Tracey told me that despite growing up in the 1980s and feeling the urban landscape was entirely safe she still drove ‘to most places now’ and wouldn’t let her children play with as much freedom as she had. For many older participants, their understanding and appreciation of Byker’s heritage was gained through unsupervised exploration and personal experiences of the place. This opportunity was lost for younger generations amidst a vicious cycle of more cars meaning fewer people meaning more cars meaning fewer people.

    3.2.3 Drink and Drugs: Environments of Familiarity and Fear

    The problem of drugs in Byker came to the fore in the 1990s alongside rising unemployment, crime, and dilapidation. At the same time, alcoholism had always been an issue during and before the 1980s that led to violence and anti-social behaviour, making the streets less safe for children. The key difference between the impact of drugs and alcohol was that drinking was an accepted normal function of community, and even its negative externalities were somewhat overlooked. The difference in participants’ perceptions of drink and drugs was clear in our conversations. As is the common view across Britain, in all the interviews I conducted there was a sense of warmth towards drinking culture never extended to drug culture, despite drink undoubtedly being the longer standing and more pervasive aggravator of anti-social behaviour. Denise described how public drunkenness was a common sight in the 1980s:

    All the blokes drunk really regularly. Then most of the women drunk on the weekends with the blokes, so drinking and drunkenness was quite common. You would see it. You still see it now. But there was a lot more pubs then. (Denise, F, 1980s)

    Drinking and drunkenness was, and continued to be, a fact of life. Women being party to the culture was important as it meant – being held primarily responsible for children – they were less likely to see its dangers as serious. Scenes of drunken fighting, squabbling, and teasing were less threatening to parents when they knew the people involved, and with whom they may well have been drinking with themselves. The closure of local pubs also changed this dynamic, as it moved drinking out of the locality or into people’s homes.

    You’d see fights. People scrapping outside the pub you know you might get shouted at… But it was usually you’d be home for your tea by then… ‘Cos when I was a bit older I’d go myself. Not that much older mind you! (‘Sarah’, F, 1980s)

    This quote again demonstrates there was a tangible ‘danger’ alcohol culture posed to children, but that in the 1980s it didn’t much influence parenting practices in a society where drunkenness was normalised. For older children, underage drinking in pubs was also a means of communal socialising that tied them closer to their community and allowed for far more adult oversight than the subsequent drug culture. Indeed, for all Byker residents it was true that its communal drinking culture was important to community cohesion, which – I must emphasise – was critical to allowing the degree of childhood independence Byker saw in the 1980s. In moderate amounts alcohol itself helps facilitate social bonding, but more importantly it was a shared ritual in the community, facilitated by the communal environment of the pub.57 This is one reason why it is important to consider environment in these questions. Denise remembering that there was ‘a lot more pubs then’ emphasises the mixed legacy of that drinking culture.The venues were nexuses of connection for the community, providing ample opportunity for social drinking and reminiscences that would come to define Byker’s communal memory of its ship-building past. At the same time this culture led to increased incidents of public disorder and anti-social behaviour. For girls in particular, the regular presence of drunken men on the street each night contributed to their parents’ desire to get them home before dark.

    If it was time for dinner I could hear my mam calling, or some other kid would come calling.

    [and would you always go home, or would you ever disobey and stay out late?]

    Not really, not at that age. I’d be tired! But yeah my mam was more lenient with my brothers I think. (Susan, F, 1980s)

    Even if rules for boys and girls were the same on paper, the implementation or enforcement of those rules could still result in gender imbalance. Susan’s brothers were also expected to come home when called, but a more ‘lenient’ approach was adopted to the boys who were not understood to be implicitly in as much danger. Drinking culture played an important part in founding these fears, as drunken men did pose a real danger to teenage girls especially. These dangers shifted with environmental changes during the 1990s and 2000s – namely the closure of pubs and other ‘third places’, degradation of public spaces, and increase in car use. Drunkenness had moved into the home. Without community pubs (increasingly only those on Shields Road beyond the wall, across the busy road, and accessible to a much wider general public) the environment afforded fewer opportunities for social bonding. Fewer people walked the streets and over time a drunken person became more likely to be a stranger. As discussed in Chapter Two, the 1990s and 2000s saw a massive increase in public awareness and concern over domestic child abuse – sexual abuse in particular. However, as I have shown, that press attention largely portrayed abusers as one-off ‘monsters’ and thus avoided some of the trickier questions these incidents brought up around wider societal issues over the relationship between sexuality, masculinity, and power.58 In Byker none of the participants I talked to brought up domestic abuse as a factor of fear that caused children, parents, or the community to alter their restrictive practices, even with increasing levels of domestic drinking and the statistics clearly demonstrating how much more common domestic abuse was than attacks on children from strangers.

    The existing drinking culture in Byker made it easier for drugs to take root. What began as a community tradition of social drinking evolved into a more dangerous mix of alcohol and drugs, leading to increased addiction and related issues.

    In the 90s it went downhill, and people started getting access to stuff like that [drugs] more and more. But a lot of the drink came from, you know, it was our culture to drink. With the dads, and a lot of our lads got hooked on the drink, but then a lot of other stuff got mixed in with it. (Lynn, F, 1990s)

    Methadone and ecstasy grew massively in popularity during the 1990s in Byker as well as many other places across the country. Heroin and cocaine also grew in popularity and new ways were developed to take them. Whilst a national trend, certain areas were more affected than others, and Lynn’s quote shows how Byker’s drinking culture contributed to the foothold drug abuse gained in the community. Poverty, unemployment, and social atomisation played an even greater role however, as evidenced by the correlation between drug-abuse epidemics and working-class communities across the country.59 Indeed, Byker’s drinking culture was itself a vestige of its own working-class industrial heritage.

    Having fewer children and eyes on the street during the 1990s, as well as several abandoned buildings in the community like Bolam Coyne, allowed people to take drugs in public spaces where previously they would have not felt comfortable. This further stigmatised the public realm and the anti-social environment facilitated anti-social behaviour. Many participants described a ‘change’ that came over the neighbourhood with the introduction of drugs. For example, Michael recalled the absence of drugs during his youth in the 1980s, and their introduction during his teenage years:

    There wasn’t much in the way of nastiness between the kids. There was always fights, but there was no such thing as drugs, right? Just wasn’t there. I was about 15 or 16 before I would have heard of anybody with drugs. (Michael, M, 1980s)

    Drugs were a national concern during the 1980s when Michael was growing up but were not ‘felt’ in Byker by the participants I talked to until the 1990s. Largely this was due to changing perceptions around drugs with the advent of more socially acceptable forms of party drugs like Ecstasy and Ketamine.60 Thus, fears of ‘new’ forms of drug abuse that had begun growing during the 1980s began to fully manifest in the 1990s. Many participants who grew up around the turn of the 1990s described it as a ‘pivot point’ in time, marking the beginning of the end for Byker’s de-industrial community cohesion. Drug-abuse problems were both a contributing factor and a symptom of that degradation. Yvonne described a collective understanding in the community of the threats it faced:

    We felt the change in Byker, especially in the early 90s… a lot of drugs started hitting and the people started using pot, it felt like the start. The Byker Wall became a bit of a dumping ground, and that’s a horrible start with people. (Yvonne, F, 1990s)

    During the 1990s and 2000s council money was continually reduced for maintenance of the estate – the most expensive to maintain in the city – which further contributed to deterioration of the public realm, and consequently the morale and cohesion of the community.61 The prevalence of drug users and drug paraphernalia like discarded needles also made children more wary, for example, of crawling into bushes. Whilst walking along Gordon Road I asked Kate if she played much in Byker’s foliage growing up:

    We did yeah like hide and seek and that… but I wouldn’t dare now. There’s probably all sorts of stuff in there. (Kate, F, 2000s)

    Kate’s testimony and those of her contemporaries confirm that they did play out less than older generations, but the impression must not be taken that they stopped altogether. Rather, changes to the environment around them changed the balance of activity in their lives. Litter in the estate’s foliage as a reason for reduced outdoor play is an interesting case to examine because this had been a long-standing problem in New Byker. In earlier decades, children had used the estate’s shrubbery to hide and keep all sorts of materials and build dens. At that time adult residents had complained about this which is one of the reasons why the estate’s greenery was cut back.62

    In the 1990s for Byker Revisited Abrams talked to a woman called Nancy who told him that ‘The council did away with all the men who used to come around and clean the streets’, which allowed drug-users to leave their stuff lying about on the street for days and even weeks. They get their needles from … It’s just beside Shields Road… one time, they had mattresses, settees and everything around there you know… You were scared to go down the back’.63

    Drugs were not only seen as a hazard, however. Particularly for older children drugs offered a potentially enticing experience of escape and excitement that they could no longer get from unsupervised outdoor play. As Alan told me, the severe impacts of drug addictions that began in childhood lasted far beyond the 1990s and 2000s:

    It was going downhill, in the early 90s, it definitely took a nosedive pretty quick. And kids who I went to school with a lot of them died from drug and alcohol misuse. Loads of them. From the 100 kids that I know, I’ve been about 40 or 50 funerals. The most recent one was maybe last year one of the lads my age died of a heroin overdose. And he was an alcoholic for a lot of years. (Alan, M, 1980s)

    The North East region has the highest rate of drug-related deaths in England, with Byker having the highest rate within Newcastle.64 Alan’s quote again demonstrates how Byker’s social drinking culture contributed to its drug abuse epidemic. Furthermore, I argue, the unhealthy relationship that many Byker residents developed with drink and drugs during the 1990s and 2000s was environmentally stimulated. It is clear that the simple availability of a potentially dangerous substance does not inevitably lead to abuse of that substance.65 Rather, this comes when people find they have nowhere to go and nobody to turn to. Children in particular are a group with a unique lack of control over how and where they spend their time, and the testimonies I have collected lead me to conclude that many of them turned to dangerous activities in seek of excitement, independence, and community. Without the clear and predictable pathways into secure and reliable employment that had been at the centre of Old Byker’s industrial community, the 1980s, 1990s, and 2000s saw a waning of socialised drinking culture in favour of a far more atomised drink and drugs culture. This contributed to shifts in perceptions of many areas in Byker from familiar to fearful with the most out-of-the-way and run-down environments attracting problem users, exacerbating existing economic and cultural pressures, degrading the public realm, discouraging (permittance of) outdoor play, and encouraging further dangerous behaviours.

    3.2.4 Pranks, Fights, and Crime: Children as Victims and Perpetrators of Destruction

    According to police statistics, the absolute crime rate in Britain peaked in 1995 before falling.66 This trend was true at the national and regional level, with Byker having one of the highest crime rates in the North East throughout this period.67 It is very likely that the increase in drug use on the estate partly contributed to the sharp increase in crime in Byker during the 1990s, largely through a rise in theft.68 The unpredictability and threat of drunken and drugged people on the streets deterred parents from allowing outdoor play in an increasingly safety-conscious society. Children were not only victims of these forces however, themselves being commonly involved in dangerous behaviour. In the 1980s loud and violent behaviour among men and boys was generally understood as a ‘fact of life’ in the community. David, for example, recounted the normalisation of fighting amongst young people:

    We were always fighting, and I thought it was fairly normal. But I really started realising that for a lot of people, it wasn’t. And for us it were because we were in that tiny little bubble so it was dead normal for us, but outside fears about it are something slightly different than what it was. It wasn’t violent and it wasn’t nasty. It was brilliant. (David, M, 1990s)

    When Michael said ‘there was no such thing as drugs’in the 1980s he also noted that ‘there was always fights’, casting it as a routine part of life. David remembered fondly a culture that saw it as play rather than genuine conflict. Behaviours that may have been considered problematic by outsiders were understood as normal, not problematic but symptomatic of a strong community. If the 1990s marked the beginning of a shift toward promoting child safety (at the unintentional expense of health), this is a great example of what parents were reacting against.

    Nobody was seriously hurt from fighting. There was a young kid killed just on our street there, where a car came through and got run over. But that was just playing hide and seek. (David, M, 1990s)

    Firstly, the acceptance of cars and their dangers is telling in David’s quote, supporting the argument that the physicality of cars and car infrastructure meant they quickly came to feel immutable, unchallengeable sources of danger. Secondly my interviews suggest that fighting was far more common in the earlier period of study in Byker, but because it was of the community it was not understood as a threat toward it. Further to this, as children spent less and less time outdoors together and fighting reduced, this was yet one more factor leading to the dissolution of communalism and eyes-on-the-street that previously had deterred serious violence taking place in such public spaces. ‘Jamie’ told me about a time, growing up in the early 2000s, that her home had been robbed by somebody she knew from the estate:

    There was one time. We got our windows broken in and stuff taken.

    [Interviewer] You got robbed?

    Yes, the TV the… and we knew who it was, yeah. It was a neighbour.

    [Interviewer] How did you know who it was?

    Because they’d taken stuff before, from other people. There was all loads of junk out the front as well. Their garden was, it was a tip. (‘Jamie’, F, 2000s)

    Community fragmentation created the social conditions wherein Jamie’s neighbour could commit this type of violence, providing more opportunity than in prior decades for people to commit such an act against those who lived so physically close to them.69

    This is not to say, however, that violent or nasty behaviour in earlier decades did not occur or was without negative consequence. The prevalence of fighting amongst Byker’s boys is testament to that. Rather, the nature and forms of violence changed over time, whereby increasingly Byker residents knew fewer of the other people who lived on the estate, and could therefore more easily view them as targets of suspicion or violence.70 The trend this thesis observes is a shrinking of the Byker ‘in-group’ over time and thus a growing number of people considered strangers, even if they live close by. This ‘strangerisation’ was especially important for children because it both fed and was fed by fears of stranger-danger. As I have argued, New Byker’s unclaimed liminal quality during its early years was one of the factors that made it such an excellent environment for children to adopt. During its early years then, children made up a central part of the New Byker ‘in-group’, and greater independent mobility led to outdoor play that helped to connect families within the neighbourhood. Over time reducing independent mobility contributed to the feelings of community distrust and decline that many participants described to me.

    However, whilst childhood play did overall function as a vector for community connection, children in the 1980s could also use their status as New Byker ‘insiders’ to exact forms of violence against those they considered outsiders. An especially badly treated group in the 1980s was the disabled. The negative consequences of a culture more accepting of dangerous behaviour can be seen in the stories relayed to me of pranks and abuse children would carry out against members of the public, who generally were singled out for having some kind of mental or physical difference. In this way, children became forces of destruction in the environment by making spaces feel unsafe and vandalising property. Alan described some ‘characters’ of Byker in the 1980s that many children enjoyed ‘tormenting’. These ‘characters’ were thought about by the children as people who were curious or funny in some way, and they would give them nicknames.

    You’ll see all kinds of stuff going on. But we had people around here and there one was called Jackie Shite-er. And he would get called ‘a half a dwarf’… if you got a chance to see Jackie you’d shout ‘Jackie Shite-er! Jackie Shite-er!’ And you know what? He was fast so he would run after all you chasing you. (Alan, M, 1980s)

    This was a rough-and-tumble social environment wherein the line between harmless fun and abusive behaviour was blurred and often crossed. Another figure was treated similarly:

    And there was Jimmy the brick. When he was born, one leg was shorter than usual, right? So that’s the thing what they did was to give him a special pair of shoes, you know, in the bottom of the shoe, they got this big bit of wood. So that was the brick that was the thing. And he would chase you as well. (Alan, M, 1980s)

    New Byker’s environment facilitated these interactions as its car-lite spaces were friendly to all people who didn’t or couldn’t drive, including children and many disabled people as well as the general proportion of Byker’s population at this time who did not own a car.71 Testimonies of such ‘characters’ and the taunting of them reduced significantly throughout the period of study. Children spending less free time outdoors is one evident reason for this, but the other is that adults were affected similarly. In a car-oriented world with growing distances between amenities it became increasingly impractical to walk places – and this posed even more of a barrier to many with physical or mental differences. The mention of Byker’s ‘characters’ to other participants brought out further colourful stories and descriptions, and it became clear that these characters were well-known by children throughout the community.

    Sandshoes Sam, he was just a bloke, older guy, who used to go running at night… But we all had these theories about Sandshoes Sam… We’d say ‘oh you better be careful or Sandshoes Sam will get you’, but he was just a bloke who was out exercising. But for some reason it got into everybody’s head that Sandshoes Sam was some kind of child abductor or something. (Denise, F, 1980s)

    This testimony demonstrates how societal and parental fears over ‘stranger-danger’ manifested themselves within Byker’s childhood culture. Indeed, the general childhood fascination with – and antagonism towards – people in the community who stood-out in some way clearly reflects the public messaging of the period surrounding this moral panic. As detailed in Chapter Two of this thesis, media portrayals of ‘the stranger’ generally portrayed the figure as strange, ugly, or otherwise unusual. Such perceptions had real consequences as Shelley remembered:

    Poor guy [‘Sandshoes Sam’]. He would have his windows smashed, multiple times, yes, kids threw rocks through his window. I feel so bad for him, because probably he hadn’t even done anything. (Shelley, F, 1980s).

    The victim in this case was perceived within Byker’s childhood culture of the 1980s as a sort of bogeyman because he stood out in a way deemed menacing. Notably, he did not have a disability the children were aware of meaning that any ‘outsider’ in the community could become a target. Meanwhile other ‘characters’ were seen more warmly and were left relatively alone:

    We would see Kung Fu Geordie on Commercial Road. Yeah. And he used to karate chop the busses. Yeah! The number 34, and the busses used to just continue on… I don’t know whether it was drink or mental health problems, but it was something going on with him and everyone would see it. (Amanda, F, 1980s)

    On the one hand this recollection and many of the others like it are clearly fond ones. Evidently, the participants felt a sense of loss for a time when you would see people more often out in the community, including those with physical or mental differences that so interested many children. When Alan told me that ‘you’ll never ever see those type of characters again ever, they’re gone’ it was clear he felt it was a shame that Byker’s environment no longer supported those sorts of interactions. On the other hand, these characters were often persecuted by the children, from rumour-spreading and name-calling, to smashing windows. Whilst those children who were part of an in-group were brought together by these acts, ultimately, they damaged the fabric of the community. Furthermore, all the participants who remembered being involved with pranks, taunts, and fights as children said that they would now discourage their own sons and daughters from the same behaviour.

    In later decades, as all people but especially those with physical and mental differences were increasingly isolated from one another, stories of their ‘torment’, as Alan described it, stopped. However, the influx of new residents to the estate during this time provided a new group of ‘strangers’ to fear. From the mid-1990s onwards the council increasingly decided to house new, often troubled residents in the Byker Wall, which had free flats available. This influx led to tensions between long-term residents and newcomers, contributing to a sense of displacement and instability within the community. As Yvonne explained:

    They would put people in there, and the good people that were inside felt like they were getting forced away. (Yvonne, F, 1990s)

    The expansion of the estate’s diversity was not only due to the council rehoming people but also global migration patterns and Newcastle’s designation as an ‘Asylum Seeker Dispersal Point’ in 1999, with 70 housing units in Byker allocated to asylum seekers in the first year.72 Mallinson’s 2006 interviews with asylum seekers and council staff reveal that Byker was seen from the outside as an unwelcoming place for new immigrants, a support worker commenting that ‘they haven’t had a big population of ethnic minorities before and locals aren’t used to seeing people from different countries in their streets’.73 One migrant living in Newcastle’s West End (another neighbourhood with a proportionally large migrant population) said ‘It is ok here. Better than Byker – that’s a racist area’.74 These sources speak to the tensions that the introduction of these new populations introduced to the community during a period when it was already experiencing high levels of crime, stress, and social fragmentation due to de-industrialisation and the other factors outlined in this thesis. However, a lack of source material with testimonies from asylum seekers who did live in Byker during this period means it is difficult to assess the extent to which the outside perception of racism matched reality. The focus of my thesis and the means by which I sourced participants means I did not speak to any Byker residents who had been asylum seekers but would mark this as a point for future oral history research. The testimonies I did collect did not mention race specifically, but some identified the arrival of new people to the estate as a factor in the decline of its street sociability. Certainly many residents felt that a whole host of factors were driving strangerisation, accelerating neoliberal processes of social atomisation.

    People from outside coming in. And then it’s not just outsiders coming in from different areas, people from inside doing it [crime] as well. But they all kind of were in a bit of a perfect storm in the middle of it all. (Lynn, F, 1990s)

    This ‘perfect storm’ was created by the combination of economic, environmental, and social issues that increasingly plagued Byker during this period. Some new residents, some of whom were former prisoners, did exacerbate these problems. Many participants described to me new people who would move in and have no pride in their home or the community, demonstrated by the poor state they would keep their house and garden in. At the same time, it is clear new residents were generally not made to feel part of the existing community.

    However, despite reduction in the strength of community relationships, Byker did not undergo as complete a transformation as many participants articulated. Even though the youngest participants interviewed acknowledged a diminished sense of community in Byker, they still believed that many people in the community were familiar to them:

    I think a lot of people work outside Byker, so I see my neighbours like once a month if that, like you don’t see a lot of people when you’re working full time, so I think that’s kind of, like me grandma didn’t work full time, it’s different times. (‘Jamie’, F, 2000s)

    ‘There’s a good community here, on this balcony, everyone’s looking out for each other. I can’t say about the rest of the estate though, I don’t really know about that, I don’t go there.’ (Dan, M, 2000s)

    These testimonies suggest that a sense of community persisted in Byker, albeit in a different form than that experienced by older generations. Clearly, the community was fractured by multiple interlocking forces of strangerisation, the key factors discussed in this section being: De-industrialisation and unemployment, loss of shops and pubs, crime, drink and drugs, neoliberal atomisation, and cars. The nostalgia shown by some participants therefore is a valid expression of loss for a positive aspect of the Byker community which declined, and a call for it to change again. As Stack said:

    No one, however nostalgic, is really seeking to turn back the clock… What people are seeking is not so much the home they left behind as a place they feel they can change.75

    3.3 Construction: Finding Space for Play on the Fringes

    3.3.1 Climbing: Play That Requires Attentiveness to Environment

    One persistent example of the competing values placed on different environments between children and adults in Byker was the practice of climbing, particularly onto roofs. Compared to Old Byker, New Byker provided opportunity in abundance for climbing on roofs due to the many single-story low slanting roofs within the estate, and most participants I talked to across the decades described doing so.76 In addition, New Byker featured an assortment of street furniture that invited climbing:

    They would build these like shelter things… Them to us, it was like an adventure playground, so we would climb on them all. So you could [go] up into Byker and you could just climb on walls, structures, things. Yeah, roofs, all kinds of stuff! Anything that you can climb on. We were climbers in that era, they don’t climb as much these days people are scared about it. So that’s what we would do, we’d go in there and it was just the best place. (Alan, M, 1980s)

    Figure XIII. Alley leading to roof with bicycle (middle), and raised fence (left), Spires Lane.77

    Figure XIV. Two ‘Shelter Things’ on Laverock Court.78

    A letter written to Erskine from 1972 noted that:

    The rainwater pipes especially in public areas are subject to vandalism… concrete plinths to which the foot of the pipes are attached only encourage children to climb onto them, these children then pull on the pipe and in consequence the top of the pipe is pulled away from the nozzle outlet on the eaves gutter.79

    In conducting the walking interviews, one of the most common memories the environment would induce in participants would be ‘we used to climb on this’. Despite the estate’s loss of trees and structures over time, Byker today still invites the prospect, with its bright colours and unique street furniture, and so invites the memories too. Climbing memories are special, as Alan identifies, because climbing is an activity that necessitates engaging intimately with an environment. Climbing rewards the attentive climber with access to a space from which you can feel safe and secluded – even hidden – whilst simultaneously being central and overlooking others, which are environmental characteristics that children often value.80 In this way an environment creates a set of challenges for young people, which is magnified when together in groups: ‘Do you think you could hang on that upside down?’, ‘I bet you couldn’t climb up there’, ‘watch this jump’. By this mechanism, the Byker environment shaped its young people into a generation of ‘climbers’, as Alan defined it. At the same time Alan’s description of ‘going in’ to Byker is telling of its insular design that would ultimately leave its children disconnected from the wider city. He lived in Byker in a Victorian terrace that had not been demolished on St Peter’s Road, yet he clearly conceived of New Byker as a place apart – somewhere that had to be entered.

    We all used to climb round here and play round here and play ‘Tuggy on High’ and that round here… You had to climb up high [mimes the climb] so nobody could tug you and if you got down and they tugged you then you were out [laughs]. The mad games we used to play… (Lisa, F, 1990s)

    The act of the walking interview was an excellent tool for eliciting climbing memories, where the space itself provided the prompt for recollection and even recreation. Adults rarely wander around a place like children do, but the interview provided a facsimile of that experience where there is no clear destination or purpose of direction. The possibility of playing with or exploring the place in more unusual ways becomes more inviting in this context and climbing up walls and onto roofs less unthinkable.

    Roof spaces, like abandoned buildings, can be attractive to children because they also qualify as liminal spaces. In contrast to a rubble heap, however, they are vacant but still owned, and this is another example of where the contrasting environmental values of adults and children came into conflict. All the participants who described roof-climbing knew that it was ‘wrong’ and that they risked getting told off for it, but the rewards – to them – were worth it. Parents were concerned that children would damage the roof, injure themselves, or make annoying noise, but these were not considered ‘problems’ in the same way by the children. Indeed, the ‘improper’ use of Byker’s environment was a fundamental pillar of its appeal, and a core memory for many of those interviewed. As such it is little surprise that the slow removal of climbing structures like shelters and trees – and the increased policing of the space with fences, anti-climb paint, and CCTV cameras – reduced the desirability of the outdoors to children over time. This can be attributed as part of the reason why those interviewed who grew up in the 1990s and 2000s described climbing in terms of individual events rather than as a general culture:

    One time we climbed up there, yeah, cos’ it’s like big steps all the way up. So yeah we just climbed on the roof, just to see, you know? Just to look around. I remember we all thought we’d got seen so we ran down and [John], me friend [John], he cut himself on the fence. Cos’ there was this big fence because it was abandoned. (Andy, M, 2000s)

    Figure XV. Bolam Coyne in 2008, the building Andy described climbing.81

    This demonstrates the shift in understanding that took place amongst Byker’s kids whereby the act of climbing moved from something that the environment invited to something it discouraged. The nostalgia of older participants for the more climbable era of their youth is therefore a manifestation of personal and community memory acting to shape the present and future of the estate. This may be understood as a practical example of the ‘nostalgic progressivism’ concept I outlined in Chapter One..

    This said, it must also be acknowledged that the challenges of nostalgic memory as a source still remain, namely in that there is a strong tendency for individuals and a community to ‘universalise’ childhood experience in recollections. For example, many participants talked about how they no longer saw contemporary children climbing as they did:

    It wouldn’t cross their minds to try I don’t think, to try and climb up a roof or go sledging down something in a black box somewhere or you know… everything’s a bit more organised for them and a bit more thought about a bit more. I do not think they think to ask permission more than I would have done. Which is quite different. (Shelley, F, 1980s)

    This framing of change in children’s behaviour is founded in the truth of decline in outdoor free play but does not encapsulate the full story. Evidently, climbing has not (and really cannot) be totally wiped out as a practice, as evidenced by the presence of anti-climb measures across the estate today. Fences, spikes, signs, CCTV, and anti-climb paint are the environmental manifestation of the barriers put in place over time that have contributed to less climbing, alongside cultural barriers. These preventative measures also show us that whether they climb or not, it certainly does ‘cross the minds’ of certain children to try.

    Figure XII. ‘Warning. Anti-Climb Paint’.82

    Whilst it is the case that everyone I spoke to described climbing memories, it was noticeable that boys recollected a greater sense of ownership over the ‘best’ climbing spots than girls. For example, whereas Alan described how he and his friends ‘had’ certain spots where they could sit ‘for hours’, Shelley described climbing as a briefer and more contingent activity because boys had an assumed right to the space that girls didn’t.

    Now just on the back of [St. Peter’s Church]… there was this big tree, and there was no phones and we just used to sit and talk and make stories up and tell each other, and we would be there for hours. (Alan, M , 1980s)

    Me and Tina would climb up this big tree, like shimmy along the branch. Yeah, I think and then go down. You would like sneak down ‘cos them [parents] sitting in the garden would shout if they saw you. So, yeah. I think there was just complete freedom to do whatever you wanted to do. (Shelley, F, 1980s)

    The contradiction in Shelley’s assertion of ‘complete freedom’ alongside getting shouted at for climbing a tree reveals that general structures of feeling about a childhood can be complicated by looking at specific stories from it. Freedom, although greater in many aspects than in later decades, was not total – especially for girls. Indeed, Thomson’s work on post-war generations tells us that British children’s independence had already been in decline for decades prior.83 Memories of being shouted at and chased did not necessarily clash with the concept of freedom in the minds of participants because they were viewed as unserious. By this I mean that getting told off (or the danger of it) was often ‘part of the fun’. However, it is also true that rule-breaking in earlier decades contributed in part to more policing and restrictions over climbing in later ones. Another activity whose popularity prompted adults to alter Byker’s environment to discourage it was den-building.

    3.3.2 Dens and Weather

    From the inception of New Byker there was a tension between the desires of its adult and child residents. In their consultations with Erskine’s team, residents wrote that they wanted to extend fencing to include shrubbed areas flanking the footpaths. The architects wrote in response: ‘we feel visually this would be a pity, but if it means that beds get well maintained, it is probably worthwhile’. The opportunity for more privacy was quite readily taken by residents. However, sometimes the architects elected not to change things, and to carry on as planned. Justifying the level of enclosure of private gardens or yards, they continued to find ‘the general standard of privacy and enclosure reasonable. It was discussed with the tenants at the time.’ The front garden fences were not in all instances re-designed, and play spaces were still constructed in other parts of the estate. The result was an environment of compromise between planners and adult residents. Children – considered but not consulted – found ways to occupy this environment in ways unexpected to both adult parties. Often the liminal in-between spaces that many young people found interest in were those that had been comparatively overlooked in the design process.

    When they built this they put a lot of greenery in and bushes everywhere. But there’s not as many these days they seem to be a lot lower than what it was, but when they first put them in, we just hid stuff in them constantly. (Susan, F, 1980s)

    There used to be a little industrial area just outside of the estate… and every now and then out the back there’d be these big bins, and there’d be stuff that they just would put out and me and Carl would, like, nick all of it… and if we didn’t know what to do with the contraband that we’d nicked out of the bins we’d put them in our den that we’d built. And it was just something in the bushes that you’d, like, find a hollow and you’d hollow it out even more and then you’d just sit in there and just play. (Shelley, F, 1980s)

    Old Byker’s de-industrial half-life, in the form of industrial units on New Byker’s periphery, provided Shelley with the materials for den-building. As the years went on and this latent industry declined so did the available material. At the same time the cutting back of bushes observed by Susan limited their usefulness as sites for den construction by curtailing their ability to provide privacy. These two factors that conspired to give Byker fewer enticing places for den building came from very different sources. The closure of peripheral industrial sites was part of a long-running trend on Tyneside accelerated in the national context by Thatcherism and a broad neoliberal shift away from a manufacturing to services economy. Conversely the uprooting and cutting back of bushes was a local issue largely brought about by the cost of their maintenance to the council and complaints from residents about young people using them to hide scrap for dens and fires. As dens do not necessitate the use of scrap, I would argue the local environmental factor was the more crucial in this case.

    Eventually when the estate was all built. The wall completed and then landscaped it was absolutely beautiful. Honestly, it was lots of green shrubs around, you know? Yeah. Lovely scenario. If you look, you know, we’ve still got trees and that but, I mean, it’s not the same. (Bill, M, 1990s)

    Bill’s memory for Byker’s greener past is interesting as he was a child of the 1990s, growing up at a time when cutbacks had already begun. In part, his feeling draws upon a collective memory of New Byker’s inception and, in part, it reflects a time of slow transition from abundance in den-building sites to scarcity. Bill’s note that Byker has ‘still got trees’ demonstrates the importance of a qualitative analysis of human-environment interaction. The quantity of trees and shrubs around was not as significant as the management of them in their qualitative value to young people.

    Thickets of leafy shrubs provided interest to some of Byker’s children largely because they opportunity for creative independent play and, crucially, privacy. When those same shrubs were thinned or cut back, they longer did so. ‘Sarah’ gave me a similar example:

    There was this big playing field where everybody played, right here before they built the motorway, and this is where we’d stand. And it’s a little bit, like, secluded, so it was a good place to hide away down here. (‘Sarah’, F, 1980s)

    The field in question had been slated to become a motorway from New Byker’s inception. Indeed, it was the reason for the Byker Wall’s existence as a shield against it. When the large road was built (whilst not an officially designated motorway) it divided the neighbourhood and produced noise and air pollution. In the in-between period after The Wall was constructed but before the road was built, children occupied that unclaimed land. Because the temporary green space was never intended to be a public space it was not well integrated into New Byker’s plan and therefore became the ‘secluded’ place that younger and older children could use to ‘hide away’ for a brief time before construction began.

    Sarah’s assertion that ‘everybody’ played on the field, and that of ‘complete freedom’ that many participants recalled, is however in conflict with other stories they told of breaking rules and being told off. This was especially true for girls who had more parental and social expectations around their behaviour. With football for example it was very clear that, by-and-large, the boys played whilst the girls watched. Whilst it could be said with a cursory assessment that both girls and boys took part in football, a more granular analysis shows they did not have equal experience.

    When I look back it was idyllic because we had our freedom, whereas I wouldn’t let my grandchildren do half the things I did. I mean climbing on roofs or climbing trees and things like that: ‘boys should do that’ or ‘girls should do that’. They should be put into certain dangers so that they can learn. But you know the way the law is now you cannot do that (Val, F, 1980s)

    It was very, very rare. You saw a lass at a match… The girls got dolls and prams to play with. We got things that you would call boy stuff: footballs, bats, tennis rackets (Michael, M, 1980s)

    In 1984 the National Playing Fields Association described the adventure playground movement – a posterchild for post-war British childhood playscapes – as having been ‘dominated by boys’.84 The nostalgia shown by many of the women interviewed for a more egalitarian time is complicated by such details. The concept of ‘everyone knowing everyone’ and playing out together irrespective of gender (or indeed race, class, etc.), was not the case. However, that does not mean there was no truth to these testimonies. Indeed, this research also finds that there was an increased segregation of boys’ and girls’ play from 1980 through to 2010. Toy culture provides an example in the national context. In the decades leading up to the 1980s, influenced by second-wave feminist movements across the country, Britain saw a push toward gender-neutral clothing, toys, and activities for children. However, with the explosion of children’s TV advertising and the birth of the ‘pink princess’ and ‘blue action man’ tropes of the 1990s much of toy culture again adopted more segregated gender stereotypes. As Sweet discovered, in America the 1975 Sears catalogue used gendered marketing for less than 2% of its toys, whereas that figure had risen to 50% in 1995.85 In Byker specifically, the testimony I heard suggested that the younger a participant, the more likely it was that they had spent a period of their childhood playing only or largely with others of their gender.

    I had more [friends who were boys] when I was little, but then you just kind of separate out don’t you? And then you become interested again. (‘Rebecca’, F, 2000s)

    Rebecca’s more atomised childhood experience is one narrativised by older participants as a prime example of degradation from an earlier more social form. However, this change in the commonality of intermingling was brought about by environmental changes that, particularly from the perspective of adult residents, were desirable for the purposes of ‘refining’ the neighbourhood. As the ‘secret’ spaces where undesirable forms of play took place were curtailed, the estate could be seen to be being brought closer to its original concept; a more settled environment where spaces for children’s play were better designated and controlled. However, environmental and testimonial clues tell us that perfect separation of space by function (play, work, transport) was not achieved. Indeed, nature was constantly at work to frustrate or enhance human designs. In particular, the factor of weather stood out as especially significant for this thesis as a natural force with a unique quality to radically alter the environment:

    You got up in the morning and if you weren’t at school it was just like ‘get out the house’ go out and play… If it was raining, you put your wellies on… and you went out and you got wet. If it was snowing you went out and you got cold, you come in, got warm, went out again. (Val, F, 1980s)

    Many participants of earlier decades described a culture of playing out whatever the weather, including some children of the 1990s. This did not mean that weather was irrelevant to the children, rather that it was not perceived as an obstacle. Instead, rain, wind, and snow could provide opportunities for new forms of exploration and play. Snow most obviously alters a landscape, but rain and wind also do so in the form of puddles, slides, kites, fallen branches, floods etc. Importantly weather also facilitated new sensory experiences that do not strictly fall into the category of ‘play’: leaning into the wind, the sounds and smells of a thunderstorm, or the cold and quiet wonder of snowfall. Such strong sensational memories were often sparked in the walking interviews by a turn in the weather.

    When it was raining and windy like this you’d still just go out. We would go out in every single weather type. (Dan, M, 1990s)

    Again, the tendency to universalise childhood experiences of the community is present in these testimonials, but that it was at least not uncommon to go out unsupervised in ‘bad’ weather is the key point of interest here. By 2000 new parents were hesitant to allow it – bad weather increasingly seen as another reason (on top of the more significant factors discussed at length in this thesis) to restrict their children’s independent mobility on grounds of health and safety. Most of all this could be seen in the remarks of participants who grew up in earlier decades and had since become parents:

    Doesn’t really happen these days… the school closed due to snow and we’d just be out playing for as long we could, and you might not even have a pair of gloves. (Michael, M, 1980s)

    We used to like going down to the river, er, swimming, even though it was probably stinking. Remember coming home from the river once just soaking wet, ‘cos you would just go in with your clothes on… You would be out all day, I wouldn’t dream of letting my kids do that! (Amanda, F, 1980s)

    Participants of later decades did not describe playing out in rain, wind, or snow with as much persistence as their parents’ generations. In part, this is because they were not allowed to. In many cases parents of the 2000s successfully protected their children from dangers they risked themselves when they were younger. After all, the river Ouseburn that Amanda described playing in was (and continues to be) quite polluted and by playing out in the snow without gloves Michael was tempting frostbite. The trade-offs were that by imposing restrictions parents limited opportunities for Byker’s young people to exert the independence and creativity often necessitated to endure or overcome obstacles and hardships. To replace those opportunities, Byker residents turned towards new toys, games, and technologies alongside reliance on private garden space and timetabled sports and activities. For example Bill told me about a summer activities club that parents set up during the 1990s:

    Trips in the minibus, we hired it and we’d all get a lovely day off to Whitley Bay… we had a big trampoline brought in just out there. (Bill, M, 1990s)

    Such trips and activities were remembered fondly by participants, but cost parents time and money to orchestrate in replacement for forms of play that had previously been ‘free’ in both senses of the word. Adults were driven by the environmental changes around cars and landscaping discussed in this chapter to replace their children’s unsupervised outdoor play with supervised play. Also, in part, cultural attitudes had changed following stranger-danger and anti-social youth fears. The Ouseburn did not get more dangerous over this period (rather less) but still it became seen to be more dangerous. The weather (though of course fundamentally variable by its nature) did not significantly worsen, yet it came to be perceived as a greater obstacle. In the context of growing suspicion and wariness of ‘the outdoors’, once minor obstacles compounded existing fears. Over the studied 30 years the cultures of parenting and community had changed in Byker, and a new identity of what it meant to be a ‘child of Byker’ was forming.

    3.4 Conclusion: Children as Sociological Explorers

    In Deindustrialisation and the Historical Sociological Imagination, Strangleman utilises Thompson’s analysis of industrialising societies to better comprehend de-industrialising ones.86 By emphasising Thompson’s attention to the real-life experiences of industrialisation and his understanding that individuals could only utilise their own past knowledge to comprehend and navigate these changes, Strangleman highlights the limitations of the tendency to view the past as discrete time periods, which can obscure the processes of transition.87 With Byker the destruction of the Old and construction of the New could make this trap all too easy to fall in to. However, as this chapter has shown through its analysis of children’s intimate negotiations with changing space, from the very beginning New Byker was an environment of transition and change. Old Byker’s half-life, new national developments, local economic, social, and infrastructural change, and the opinions and actions of its citizens all shaped New Byker. Byker’s children – those residents least expected to be bound to the past – found their daily lives entangled with industrial legacy through environment and culture. Furthermore, some children acted as key sociological explorers during this period, forming and binding new communities and finding environments of play in a world of ever-tightening restrictions on their mobility.

    The testimonies in this chapter have elucidated key forms of interaction between environment and child in a de-industrial, North East, 1980-2010 context. The use of demolition and construction as sites for exploration, sliding down rubble heaps, and setting fires. Building dens and gathering materials from legacy light-industrial sites on the fringes of the estate. Hiding away and making use of land scheduled to be developed or otherwise left untended by the adults. Fighting, playing pranks, and other forms of behaviour that often turned dangerous or anti-social. Utilising the geography of the old street-pattern for wheeling downhill. Climbing on rooves and trees and taking advantage of the opportunities for environmental transformation brought on by weather. These are instances where Byker’s environment invited children to explore new forms of play, but at the same time these alternative utilisations of space often came into conflict with the adult world, and this is when measures like taller fences, spikes, and CCTV cameras were taken to curtail activities like den-making, climbing, and setting fires. As fears for and of children grew across the period, the scope of outdoor play testimonials reduced. Beyond these localised changes, national trends were also making themselves felt in Byker, as rising car numbers, stranger-danger fear, street drink and drug culture, local shop closures, and a growing safety-conscious culture of individualism made it no longer conscionable for parents to let their children play as freely as prior generations. All these factors eroded community cohesion, reducing child mobility, which in turn reduced social connectivity in a vicious cycle of restriction and isolation.88

    Whilst the reasons for decline in outdoor play in this context are therefore clear, the testimonies herein have also demonstrated that all the forms of outdoor play discussed in this chapter persisted throughout the period – though evolved. Participants across the decades expressed similar childhood values and desires towards things like secrecy, novelty, danger, and ownership. In a changing environmental, economic, and social landscape, these desires were met in different ways, increasingly through technology and timetabled activities as part of a national ‘inward turn’ in child-rearing approaches away from public space and toward private ones. In an urban context of little garden and yard space this left many with few places to turn. Erskine’s green, low-rise, and car-lite modernist design for New Byker might have been expected to become a posterchild neighbourhood that resisted the national and regional trend of decline in outdoor interaction and social atomisation. A key reason it didn’t was its failure to comprehend and integrate children as equal users of the entire space, imagining they would stay confined to designated playground areas, upsetting residents when they didn’t, and then not maintaining those areas over time or converting them into car parks. It is somewhat ironic therefore that New Byker so resembled a giant playground. An environment that beckoned to be explored but increasingly told children that they should not.

    <- Chapter 2Chapter 4 ->

    References

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    2 Mats Egelius, ‘Ralph Erskine : Byker Redevelopment, Byker Area of Newcastle upon Tyne, England, 1969-82,’ Global Architecture 55 (1980): 40.

    3 Robin Abrams, ‘Byker Revisited,’ Built Environment 29 (2003): 117.

    4 Dradge, ‘Byker: Surprising the Colleagues for 35 Years,’ 156.

    5 Peter Malpass, ‘The other side of the wall,’ Architect’s Journal (May 1979): 964.

    6 Ibid, 966.

    7 Sirkka-Liisa Konttinen, ‘Carville Road at Night (Byker),’ photograph, 1971. Tate Gallery Archive.

    8 Louis Holland Bonnett, ‘Byker 1970,’ JPG map, February 2024, Digimap Ordinance Survey Collection.

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    11 Alison Ravetz, ‘Housing at Byker, Newcastle upon Tyne,’ Architects’ Journal 15 (April 1976): 7; Portmeiron is a village in Wales built in the 20th century to resemble a Mediterranean village.

    12 Mary Comeiro, ‘Design and Empowerment: 20 Years of Community Architecture,’ Built Environment 13 (1987): 61.

    13 Elain Harwood, ‘Post-War Landscape and Public Housing,’ Garden History 28 (2000): 114; See also Dan Kerr, ‘We can still learn from Byker’s inclusive design ethos,’ RIBA Journal (October 2019).

    14 See the child’s absence from such assorted works as: Heidi Svenningsen Kajita, ‘Urgent Minor Matters: Re-Activating Archival Documents for Social Housing Futures,’ Architecture and Culture (2022): 483; Malpass, ‘The other side of the wall,’ 964; Rosalind Kain, ‘Is Byker Heritage? : a Study of the Residents’ Value of Byker’s Post-War Architecture and Their Support for Its Conservation,’ (PhD diss., University of Newcastle upon Tyne, 2003); Peter Blundell Jones and Eamonn Canniffe, Modern Architecture Through Case Studies 1945 to 1990 (Elsevier, 2007); Mats Egelius, ‘Ralph Erskine : Byker Redevelopment, Byker Area of Newcastle upon Tyne, England, 1969-82,’ Global Architecture 55 (1980); Robin Abrams, ‘Byker Revisited,’ Built Environment 29 (2003).

    15 Dradge, ‘Byker: Surprising the Colleagues for 35 Years,’ 152.

    16 Ibid, 154.

    17 Ibid, 154; Nageen Mustafa et al., ‘An Exploration of the Historical Background of Criminal Record Checking in the United Kingdom: From the Eighteenth to the Twenty-First Century,’ European Journal on Criminal Policy and Research 19 (2013): 23.

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    41 Ibid, 329.

    42 BFI Player, Byker Song, https://player.bfi.org.uk/free/film/watch-byker-song-1974-online.

    43 Sherry Lee Linkon, The Half-Life of Deindustrialization: Working-Class Writing about Economic Restructuring (Ann Arbor: University of Michigan Press, 2018), 95.

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    48 Richard Collier, ‘“Rat Boys” and “Little Angels”: Corporeality, Male Youth and The Bodies Of (Dis) Order,’ in Contested bodies (Routledge, 2003), 31.

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    51 Raymond Williams, Marxism and Literature (Oxford: Oxford University Press, 2017), 30; Linkon, The Half-Life of Deindustrialization.

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    53 RAC Foundation, ‘Car ownership rates per local authority in England and Wales,’ RAC Foundation, 26 December 2012, https://www.racfoundation.org/assets/rac_foundation/content/downloadables/car%20ownership%20rates%20by%20local%20authority%20-%20december%202012.pdf.

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    72 Saran Michelle Mallinson, Dispersal: a barrier to integration? The UK dispersal policy for asylum seekers and refugees since 1999: the case of Iraqi Kurds (Thesis: University of Warwick, 2006), 266; Matthias Flug and Jason Hussein, ‘Integration in the Shadow of Austerity – Refugees in Newcastle upon Tyne,’ Social Sciences 8, no. 7 (2019): 212.

    73 Ibid, 195.

    74 Ibid, 195.

    75 Carol Stack, Call to home: African Americans Reclaim the Rural South (Basic Books: New York, 1996), 198.

    76 Although it must also be noted that the children of Old Byker were certainly no strangers to rooftops.

    77 Louis Holland Bonnett, photograph, Byker, March 2024.

    78 Louis Holland Bonnett, photograph, Byker, March 2024.

    79 Dradge, ‘Byker: Surprising the Colleagues for 35 Years,’ 156.

    80 Teresa Aslanian and Anne Turid, ‘Climbing, Hiding and Having Fun: Schoolchildren’s Memories of Holistic Learning in a Norwegian Kindergarten,’ Nordic Studies in Education 40 (2020): 268-285.

    81 Patricia Payne, ‘Bolam Coyne Northeast Aspect in 2008,’ photograph, Historic England Archive, Reference DP152710.

    82 Louis Holland Bonnett, photograph, Byker, December 2023.

    83 Mathew Thomson, Lost Freedom: The Landscape of the Child and the British Post-War Settlement (Oxford: Oxford University Press, 2013).

    84 Krista Cowman, ‘The Gendering of Activism in the British Adventure Playgrounds Movement,’ Journal of Social History 53 (2019): 236.

    85 Sweet, Boy builders and Pink Princesses, 36.

    86 Strangleman, T. (2016). ‘Deindustrialisation and the Historical Sociological Imagination: Making Sense of Work and Industrial Change’, Sociology, 51(2), 469.

    87 Ibid.

    88 Stephanie Schoeppe et al., ‘Socio-Demographic Factors and Neighbourhood Social Cohesion Influence Adults’ Willingness to Grant Children Greater Independent Mobility: A Cross-Sectional Study,’ BMC Public Health 15, no. 1 (2015), 2.